And Now for Something Completely Different

This week I read a great column in Writer Unboxed by Sarah Callender about navigating between hope and despair, and the part writers have in “disturbing the universe.” She used a line from T. S. Eliot‘s The Love Song of J. Alfred Prufrock, “Do I dare disturb the universe?” as a provocative jumping-off point, which reminded me how much I love that poem.

I was going to write that inspiring line down on a post it and stick it to my computer monitor. But that didn’t seem enough. So I thought I’d type it out in some interesting font, print it, and tape it up somewhere. But then that didn’t seem enough. So I concocted a little plan to do a painting. This is the result.

I’m not sure if it’s actually done yet. I may add another layer after this one is dry. But here is how I went about painting it.

First I typed up the line, chose fonts and sizes, and then printed it. I cut the words apart and arranged them how I thought they would fit on the canvas. Then I taped the pieces together and taped them to the back of the canvas so that, when a very bright light was positioned at the back, the black letters would show through.

Next, I painted over the letters with black gesso, which is a fast-drying acrylic medium.

Once I had all the letters in place, I let them dry.

I knew I wanted the corners to be very dark, so I sponged black gesso all around the outside, almost like a vignette.

I let it dry overnight, though I probably didn’t have to. When I was ready to paint today, I covered the whole thing with a coat of liquid clear.

Then I started to lay in the color. I chose only transparent or semi-transparent paints so that the black text would show through and I started with the brightest (indian yellow).

Now, as I tend to do, I forgot about taking any more photos as I laid in all the rest of the colors. But after they were on the canvas, I didn’t exactly like how they came together. So instead of trying to blend them together and hide the brush strokes, I swirled them all with a 2″ brush so that the brushstrokes would be part of the effect.

As I said, I’m not sure that I would consider this done at this point, but I think I need to let this layer of paint dry before making any further decisions about it.

This was a nice change of pace from landscapes and I got to use some very bright colors, which was fun. Of course, it doesn’t match any room in the house, so who knows what I’ll end up doing with it!

“Wasting” Time to Awaken Your Inner Creative Spark

While I spent most of my time in Albuquerque writing, one workshop I did attend was Kimberly Brock’s Tinderbox Workshop. Before we all packed for the trip, our Retreat Planner & Organizer Extraordinaire Orly Konig-Lopez told us what we should bring: a journal or notebook, magazines and glue, stickers and interesting paper, markers and pencils. It was clear that this workshop would have less to do with writing than most offered at writers conferences or retreats. As I had recently purged my house of unwanted magazines (see earlier posts on decluttering in anticipation of listing our house for sale in the future) I decided to bring my watercolors and some pastels.

I won’t go into details about the workshop content (except to say that if you have a chance to be in a Kimberly Brock workshop you should take it) but I will say that she had to assure participants that they were not “wasting time” by not writing and that there was not a “right way” to do the exercises. I’ll share a page from the journal I was working on as she spoke about creativity:

Underneath that collage is a pretty simple painting of a face with colors coming out from all angles — my interpretation of what Kimberly was talking about. When she said we were going to start covering it up with collage, I said to myself, “Um, no. I will not be doing that. Thank you very much.” I was happy with what I’d painted and drawn and I wasn’t about to obscure it with things pulled from magazines.

But then I did. And it was fun. It’s been a while since I did any sort of collage and it was pretty fun finding images and words that inspired me and went along with some of the concepts Kimberly was talking about.

When I got home, I didn’t want to put my paints away. The retreat was held at Hotel Albuquerque at Old Town, a beautiful space that really got under my skin in a good way. So I decided to paint one of the pretty outdoor spaces: the pavilion. Friday night we all ate BBQ under here and Saturday there was a gorgeous wedding in this space. But it was most beautiful to me when it was empty of people and dappled with sun and shadows.

It’s funny how creativity works. I went to New Mexico to write, to learn, and to meet other writers. Bringing paints was definitely not part of my original plan. Neither was collage. But I came home with a heart and mind full of the place and a bit of dormant creative spirit unleashed. So now I not only find myself painting, I’m also plotting a novel set in our hotel, with an ensemble cast drawn from some of the people I saw (and many more I am imagining). Opening the door to one part of your mind often lets in enough wind to blow open other doors.

When was the last time you let yourself just fool around with art supplies for a few hours? When was the last time you allowed yourself time to just have fun doing something kind of mindless, like you did when you were a kid? My guess is that it has probably been too long.

So when are you going to start?

Capturing Inspiration

On Friday it was only five degrees colder at the North Pole than is was in some parts of Michigan (-39 in Roscommon, which is about 2 hours north of Lansing). It was cold here too. School was cancelled because of wind chill temps in the -20 range and dangers of frostbite on exposed skin within 30 minutes.

However, it was a warm day in my brain. It was like the spring thaw up there, with great ideas for three writing projects — one big backstory/plot change for my WIP I Hold the Wind, one idea for a completely new novel, and both a new plot idea and a new POV idea for a story I haven’t worked on in over a year called Life in a Minor Key. I love days like that!

The first idea came from a little news clip I heard on NPR when I was in the shower. It will help me fix an issue that has been nagging and nagging me as I’ve drafted I Hold the Wind. I captured the idea on the waterproof notepad in my shower that Zach bought for me at Christmas. The second came from a New York Times article my husband shared on Facebook. I quickly printed the article and made some notes on it at my desk. The third came as I was listening to Billy Strings and Don Julin, a fantastic folk guitar and mandolin duo I heard at the Ann Arbor Folk Festival last month. I popped in one of their CDs as I brought my son to karate Friday evening and was actually happy for the stop-and-go traffic through East Lansing so I had time to write it all down on one of the notepads I always keep in my purse.

Yesterday the ideas kept coming. On the drive home from Grand Rapids last night I had another fun idea for Life in a Minor Key. Since it was dark I didn’t want to go digging in my purse and possibly run off the road, and I didn’t want to ask my husband to write it down for me because I was hoping he was asleep after a completely sleepless night the evening before. So I repeated a key word in my head until we got home, then wrote it down while I was still in the car on the driveway. Then as I was settling into sleep myself, a great reversal for the very end of The Bone Garden popped into my mind. Again, not wanting to wake my finally sleeping husband, I carefully reached over in the dark and snagged a little notebook from the nightstand. I wrote slowly in the pitch black and was happy to see this morning that it was indeed legible.

Inspiration can come from anywhere — and everywhere! — so be ready for it. Never be without a writing utensil and something on which to write or I promise you even the best idea will vaporize.

 

The Joy of a Good Writers Conference

This weekend I spent a couple days in the company of other writers at the Breathe Christian Writers Conference. It was my third year attending, my second year leading a workshop, this time on taking our writing to the next level through rewriting and revision. We had a fantastic keynote speaker, Julie Cantrell, and I’m looking forward to reading her book, Into the Free. And we enjoyed inspiring words and a charge to write the truth and write at the highest level of excellence we can from Dr. Michael Wittmer, a professor at Grand Rapids Theological Seminary and a friend.

Besides those entertaining and encouraging presentations, I was able to attend workshops led by several talented writers, professors, and professionals, including

-Dave Beach, a psychologist who turns his expertise toward creating characters that are highly developed and nuanced by examining them through various psychological lenses. Check out his website, characterdoctor.com to try it out!

Zachary Bartels and Ted Kluck, who took us through all the pluses and pitfalls of indie and traditional publishing, highlighting their own successes and failures in both arenas, and teaching us how to read between the lines while working with editors and big publishing houses. Check out their indie micropress, Gut Check Press.

Dr. Michael Stevens and Dr. Matt Bonzo, who gave us insight into the life’s work of Wendell Berry, who spent fifty years writing about one small locality and made the people and the events in this little rural Kentucky town speak to readers on a universal level. I’m very interested to read their book after dipping into Wendell Berry ‘s work.

I was also privileged to spend time in the company of writers like Tracy Groot, Suzanne Burden, Alison Hodgson, Andy Rogers, Josh Mosey, and others. Breathe is an intimate, noncompetitive group–far more intimate than the huge ACFW Conference we went to in St. Louis this year–and I appreciate the camaraderie there.

The whole affair has me even more excited for the second annual Write on the Red Cedar Conference that my own writing group, Capital City Writers Association, is holding January 16-17 in East Lansing, Michigan. We’re ecstatic to welcome literary agent and author Donald Maass as our keynote, along with other writers, journalists, editors, and agents from around the country. If you’re a writer in the Midwest, this is a not-to-be-missed opportunity to learn from some of the best in the business for a very reasonable price.

You’ll be hearing more about that conference in the months to come. In the meantime, our very busy season at home is hopefully slowing down a little bit. Around here there are gardens to ready for the winter, desks to clean off and organize, quilts and crochet throws to make, rooms to clean…and a new novel brewing in my mind.

October is half over. I want to really live intentionally during the second half. How about you?

Now Available in Paperback! The Intentional Writer

If you’ve been waiting for the paperback edition of The Intentional Writer, this is your lucky day. If you don’t even know what I’m talking about (and you’re an aspiring author) this is still your lucky day. If you’re neither of these, indulge me a moment while I explain.

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The Intentional Writer is some of my best advice for beginning writers who wish they had more time, space, and inspiration for their writing. It offers lots of tips and tricks for carving out time to write, courting the muse to keep your ideas flowing, and prioritizing writing so that you can stop making excuses and start finishing things.

Every piece of insight I have to offer comes from my own experience as a writer looking for a sustainable writing rhythm that would keep me creating regularly, but wouldn’t saddle me with a load of guilt if I didn’t meet a certain word count every day.

As I formatted the paperback edition, I’ve added new content and updated existing content to reflect further developments in my own writing journey. I plan to update the Kindle edition soon to reflect those changes.

It is my hope that the things I’ve learned can help many other aspiring authors. Click here to purchase!

I’ll also take this chance to let you know that I will be speaking again at the Breathe Christian Writers Conference this year. Last year I spoke on the topic of finding your writing rhythm. This year I’ll be giving out great revision tips and advice to bring your writing to the next level. I would love to see you there! Check out the schedule of speakers and register for the conference on October 10-11.

The Intentional Writer: Finding the Time, Space, and Inspiration You Need To Write

I’ve mentioned it a few times on the blog and now here it is. Inspired by the presentation I gave at the Breathe Christian Writers Conference last October and bringing together some of my best blogging and writing about writing, I offer you The Intentional Writer.

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It’s available on Kindle now and I will soon be working on formatting the print edition. Here’s the description of what you’ll get inside:

You can make creative writing a regular part of your life—without making it a rigid daily requirement.

If you are trying to make creative writing a more intentional—and yet not tyrannical—part of your life, The Intentional Writer will help you to pursue your goals, hone your craft, and get your work out there into the hands of readers. This entertaining and informative book will help you analyze your motivations for writing, put yourself in the path of inspiration to keep your ideas flowing, deal with both internal and external distractions, reshape your surroundings and your schedule to aid your process, and take your work from first draft to final publishable product.

From encouragement and insight to the nuts and bolts of storytelling and editing, you’ll find something in the following pages that will change your writing rhythm for the better.

On Writing Well: Enjoying the Process as Much as the Product

For about the past year I’ve been in some nebulous writing space when it comes to my next novel. While I’ve been pounding out short stories each month, I’ve also been furiously scribbling notes in parks, in the car, at restaurants, and at my desk. I’ve been creating massive family trees and designing sets. I’ve been writing scenes and sketching outlines and placing them aside, not quite sure where to go next.

I’m calling this conglomeration of activities the “germination stage” of the new novel. And this past week the germination phase came to a close as I entered the “gathering stage.”

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A little bit at a time, I have gathered together what seem like the best of my ideas and put them into a structure I think will work for telling my story, which will span from 1859 to the present, encompassing several generations of a family’s history, but which I have determined I will tell through three separate POV characters. The scope of this novel has created unique structure issues for me (my first novel takes place over a few months and was written entirely from one perspective). The uncertainty about just how to tell the story has stymied my efforts to actually write the thing. So last week I sketched out 30 chapters and essentially outlined the entire novel, something I’ve not done successfully in the past.

In addition to the outline, I’ve gathered scads of images: railroad maps, house plans, photos indicating clothing styles and covering historical events, garden designs and tree profiles, quilt designs and furniture examples, photos indicating mood and available technology. I’ve taped all of these to two pieces of foam board (connected in the middle with packing tape so they fold up and can be made to stand up on the floor or a table). It’s sort of a primitive Pinterest board where I can see everything without accessing the internet (which, generally, one should avoid doing if one wants to get any writing done).

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The process of gathering is just as beneficial to me as the actual product. It makes me review everything I’ve been thinking of, makes me order events in my mind, makes me realize where events need to be foreshadowed in earlier chapters, shows me what I need to research. The product itself (the boards) will serve as a road map for my writing and as inspiration when words aren’t coming easy.

Sometimes we have an idea for a story that balloons so much that it’s hard to keep everything straight in our heads and we lose sight of the main thrust of the narrative we want to create. In times like these, going through your own unique process of gathering and ordering your ideas is so useful. Now that I have all of these words and images on my little idea boards, I feel mentally ready to start tackling this project. Everything is there, I just need to breathe life into it.

Have you been avoiding a big writing project because you just didn’t know where to start or how it would all hang together? Perhaps you should try making it more visual. Get it out of your head and into reality and maybe you’ll find the pieces fitting together in ways you hadn’t anticipated.

Now, if you’ll excuse me, since my gathering is done, I need to get on to the next–and most exciting–step: writing a world into being.

The Mad, Mad Adventure of Writing to a Title

Ideas for writing come from all over–overheard conversations, awful dinner parties, a moment in time that hits you just right and sparks something inside of you that can only be described as the literary gene. But sometimes, you have to make the ideas come. Like when you’re on a deadline, self-imposed or not.

For several of my short stories this year I’ve started with a title idea and/or cover image rather than actual plot or character ideas, and it’s been interesting to see where that leads my writing. Because of this, I’ve run into a rather interesting situation I thought I’d share with you creative types out there.

For August’s short story I started with a title which I drew from a quote from Virginia Woolf’s diary where she is describing a total solar eclipse that she and her friends saw. I loved the phrase “the astonishing moment” which she used to describe the moment the eclipse was total and the light in the world simply went out. So I pulled that phrase out and thought it would make a compelling title to write to. I popped it on a photo I took up at Lake Superior whilst hiking Pictured Rocks last summer and thought perhaps I’d do a story with hiking as a backdrop. Here’s the cover I came up with:

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But then Saturday night when I started to think about getting started writing, I decided to reread the section of Woolf’s diary that had inspired the title and pull out a quote with which to begin my story. Here’s what caught my fancy:

“We kept saying this is the shadow; and we thought now it is over—this is the shadow; when suddenly the light went out . . . . How can I express the darkness?”

~Virginia Woolf

Clearly that quote and my original cover concept do not match.

Rather than lose the pathos of that quote by omitting it and just writing the story I had (very) vaguely formed in the back of my mind, I decided to try again at the cover art. I pulled a photo I just took up at Mackinac Island, manipulated it a bit, and came up with this:

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Clearly this new image does fit the quotation. I’m pretty sure the story will not be about hiking. I’m pretty sure it will be “maritime” in flavor. And I’m pretty sure some bad things will happen to the characters.

And that’s all I’m sure of.

A Symphony to Write By

This is the soundtrack to my upcoming story for March, This Elegant Ruin.

I’ll be writing the bulk of it this weekend as my husband and I get away to a friend’s cottage. I imagine we’ll be huddled by the fireplace and the wood stove, happily typing away with no child and no pets and no responsibilities. A nice little writing vacation, something I highly encourage you to take if you are searching for concentrated time to write.