Taking Back 2020

On January 2nd of this year, I turned 40. I had one overarching goal for my 40th year on the planet: live with intention. Basically, decide beforehand how I was going to spend my days, choose my reactions to setbacks, make some purposeful changes in how I was spending my time, etc. etc. etc. I bought a 365-day journal with the intent to record this very intentional year.

It was going to be a big one. I had a full calendar of writing and book events lined up. I was anticipating making a little extra money from them, garnering a little extra name recognition, building a little bigger network of fellow writers. I thought to myself, in my delightful naiveté, that this would be a year of building my career. This is where I would lay the foundation for future success.

And wouldn’t you know it, things didn’t go according to plan.

I abandoned the journal in early February because it was straight-up boring. I mean, who cares what I did each and every day? If I didn’t, certainly posterity wouldn’t. Gone.

And then…well, you know. Everyone’s plans went up in smoke. Our family trip to Yellowstone was canceled. The writers retreat I direct in Albuquerque was canceled. Nearly twenty events at libraries, book clubs, bookstores, and conferences were canceled.

I thought, well at least I can use that extra time to write more. [Insert sick, desperate laugh.]

There’s something about a pandemic and a 24-hour news cycle and the dumpster fire that is social media that really hijacks one’s concentration if you let it. Add in a kid suddenly home from school 24/7 and you’ve got a recipe for slow writing. Or, no writing for awhile.

Instead of being intentional and proactive, I, like many of you I would imagine, found myself in reactionary mode for about six months. My schedule, my comings and goings, my very thoughts felt like they were not my own. This was the most unintentional year I could remember.

And yet…

There were some things I did manage to make happen. I finally got the new fence I had been needing/wanting for the backyard. I lost fifty pounds and starting fitting into my old clothes. I spent a lot more time outside over the summer, reading, working, and yes, even writing a little. (Thank you, Lord, for such incredible summer weather this year.)

And there were some things that happened to me that were good. Because everyone in the world now knows how to use Zoom, I was able to talk to a number of far-flung (as well as local) book clubs and libraries, the furthest afield being a book club in Honduras. I won both the debut and general categories of the Women’s Fiction Writers Association’s 2020 Star Awards for my debut novel, We Hope for Better Things, which also had the honor of being selected as a Michigan Notable Book for 2020.

But the thing that I think has really been a turning point for me, mentally and emotionally, is that I kept something precious to me rather than losing it to a virus. Instead of loosening my grip and accepting that in this world, in this year, I will not be able to do this, I squeezed a little tighter and did something anyway. Even though there was some risk involved. Even though it meant spending money we should have saved. Even though it would invite public censure on social media (see my last post for another positive, intentional action taken in the wake of that).

What I kept was my annual writers retreat in Albuquerque. Not the retreat I’d carefully planned for nearly 100 writers. Not the retreat with the notable speaker and all the great food and all the socializing with writer friends. All I kept was a plane ticket and a hotel reservation. All I brought was some clothes and my laptop and my intentions of getting some writing done. All I wanted was time alone in a place I had grown to love and to need in my life over the past six years.

And I got it. Well, perhaps I should say I got it and then some. Not only did I get precious alone time after a season of everyone being stuck in the house; not only did I get time and mental space to write; not only did I get to spend five days in a hotel that feels like a second home to me…I also got community–unexpected, unintentional, and unequivocally soul-restoring community–at the best cigar shop I have ever been to.

An acquaintance local to Albuquerque told me about it and then, when Uber was uberexpensive, was kind enough to drive me to it in order to pick out some gifts for my husband. This friend smoked his first cigar as I perused the largest humidor I’ve ever set foot in and pawed through a gorgeous selection of pipes. I made my purchases after consulting with the very personable owner of the store (the third generation of his family to run it) and chatted with some other patrons–members of the store’s private cigar club–as I finished my own cigar and the glass of bourbon the owner poured for me. Then I figured I had imposed upon my driver long enough and was going say my thank yous and have him drive me back to the hotel.

Instead, one of the cigar club members invited me on a tour of the private lounge. After the tour, another gentleman who was in the lower level (yes, this amazing lounge had multiple levels and rooms) of the club invited me to sit down. I had already finished my cigar and my bourbon and I felt I had abandoned my ride, so I demurred. But the thing is, I didn’t want to leave yet. And these guys didn’t want me to leave. I was handed another bourbon, another cigar, and prevailed upon to stay. Eventually other guys came rolling into the room until I was holding court with five men, only one of whom I’d ever met before that afternoon.

Full disclosure so that you can gauge how incensed you should be at me right now: no, we were not wearing masks (hard to smoke a cigar through a mask) and no, we weren’t a full six feet apart. Probably we managed an average of four feet of distance. Yes, we were inside. Yes, I had shaken every one of their hands (at their initiation), as well as the hands of nearly every man who had entered when we were just standing around talking and smoking in the non-club portion of the store. These men ranged in age from their mid-20s to around 60. They worked in law enforcement, health care, the film industry, the news industry, in finance, for the military. And every single one of them made me feel…welcome, at ease, happy.

In a year of hunkering down and not even seeing the people I’ve known for years (or in some cases, for my entire life) I was introduced to this new community of instant friends. I was made to feel utterly welcome in what has become a very stand-offish world. The things I said were not met with raised hackles and links to articles to show why I was wrong/careless/borderline evil/probably a murderer. I was not walking on eggshells about how I worded things or anticipating the objections or arguments to come. I was not dreading the fallout from simply being myself.

I was just…there. Amongst people who were in all ways generous and gracious to each other and to me. They gave away pieces of themselves to a stranger in their midst, sharing their stories, trusting me to be gentle with them, to take them at face value, to simply derive enjoyment from them. We had nothing to gain from one another beyond a few hours of congeniality. But I don’t think you realize how truly precious such a thing is until it has been stolen from you, first by an invisible virus and then by the near-constant piling on of guilt that accompanies your every action in a world where everyone is watching and feels they have a sacred, self-appointed responsibility to judge and condemn you for each and every small way you deviate from their impossibly high expectations of you.

We had such a great time chatting, six hours flew by. We all missed dinner.

Here’s the thing about meeting someone new in the context of having no “mutual friends.” When you meet someone new, apart from your previous relationships and work and accomplishments, apart from your carefully crafted online persona, you get to see yourself in as pure a form as you are likely to get in this life. They are meeting you, undiluted, unadulterated you. Not you the student or you the wife or you the mother or you the writer or you the former football star or you the once prom queen or you the executive or you the mechanic or you the failed artist or you the real estate mogul. Just you. You’re an unknown quantity. You’re a risk. And when they take that risk to spend time with you, and then have the exact reaction to you that you wish everyone would have–they find you interesting, charming, intelligent, fun to be around, worth their time and attention–it feels good. It feels like maybe there is something more to you than all the stuff about you.

We all want to feel that we are worth something in and of ourselves, irrespective of who we know or who we married or who we gave birth to, regardless of what we have accomplished and what we have failed to accomplish. And when someone sees that pure spark of you inside and wants more–more time, more stories, more eye contact, more of your attention–it’s intoxicating. It’s the kind of thing that makes you miss a meal and yet never actually miss it. It’s the kind of thing you want to share with other people even if it means you’ll get raked across the coals for daring to leave your house and deciding that social niceties like handshakes are still important and are worth a little risk (and a lot of public censure).

Reader, something important that I realized during this “inessential” trip is that I’m still essentially me. I’m still me, in and of myself, the me I’ve always been. The me that prefers hanging out with guys to hanging out with women. The me that loves hearing other people’s stories more than telling her own. The me that is not afraid to get into a car with people I just met. The me that is done being acted upon by distant forces and judged by distant people.

The me that doesn’t actually care what you think of me.

2020 has been a trial of a year, for sure. But I am taking it back. I am accepting with open arms the unexpected gifts it has given me. There are three months left in the year. Those are my months. I’m going to live them intentionally, without fear, without second guessing, without explaining myself to people who hold no power over me.

How about you?

Retiring the Blog

Hello there, blog. Remember me?

I’ve been spending a lot of time so far this year over on other people’s blogs talking about my debut novel, We Hope for Better Things. And other people have been spending time over here on my blog as I’ve shared interviews with other debut authors. And, of course, I’ve been sharing my new podcast episodes here. And if you get my email newsletter, you know I’ve been spending a fair amount of time on that for about two or three years.

All of this has added up to a lot less time and brainpower spent on blog posts. Perhaps that’s all well and good. People aren’t reading blogs as voraciously as they used to. They’re spending more time on Instagram and Twitter and podcasts. And those who are still reading blogs are less interactive than they used to be, because we’re all reading on our phones far more than on our computers, and that’s less conducive to typing out comments.

I must say, I miss the time I used to spend in this space. It has been, in one form or another, a part of my life for more than a decade. A decade during which I struggled to decide what it was I wanted to say and what I wanted to do with my time. It used to go by other names: Stuff No One Would PublishThe Consummate AmateurA Beautiful Fiction. It had several different faces and two different web platforms. I’ve written about nature, gardening, seasons, travel, Michigan, family, sewing, quilting, and my long and determined trudge toward publication.

And now, here I am. All of that practice and all of that striving has paid off. And that means that I have less time than ever to muse in this space. Most free moments must be put to use in the creation and promotion of my novels (and there are more coming). I’ve set myself a rather punishing schedule with a weekly podcast and a monthly newsletter, one which I feel I must pull back from a little in order to give myself more time for novel writing.

All of this to say, I think it’s time to retire the blog, or at least put it on hiatus. I won’t delete the content. But it will be moving to a less prominent place on my website in the near future. Sort of a digital spring cleaning, if you will.

So if you like hearing from me now and again, may I suggest signing up for my at-the-moment monthly (though likely to become quarterly) email newsletter? And if you like more frequent glimpses into my life and mind you can follow me on Facebook or Instagram.

Just as the seasons change, life changes. What we once valued and took time for falls by the wayside, replaced by something better. And that’s just the point I am in my creative life right now. I hope you’ll join me in one of those other spots. Until then, I’ll be writing my next novel.

Thanks for reading. Really. My sincerest thanks.

My Interview on the Write Now Workshop Podcast

Write Now WorkshopWriters! Readers! Those interested in history and current events!

There’s something for everyone in this podcast where I discuss We Hope for Better Things with the lovely Kitty Bucholtz for her Write Now Workshop.

And if you want to watch the interview, you can do that too, right here on YouTube. I even showered and put on real human clothes for it, so check it out.

During the interview we talk about the challenges of writing a book that takes in so much history and writing black characters while white, as well as how writing and reading books about people who have a different experience of the world than we do can form us into more empathetic and compassionate people.

I had a lot of fun talking to Kitty about these topics (and more) and I hope you’ll enjoy eavesdropping on our conversation!

Opening the Door to 2019

If you follow me on social media, you know that the past week has been on the busy side, and that it’s not over yet. Christmas celebrations on both sides of the state, time with friends in different cities, my wedding anniversary. Now New Year’s (though we blessedly have zero plans) and my birthday rapidly approach.

And…release day. We Hope for Better Things will be out in the world on its own, like a young bird finally pushed out of the nest into the cold air of the unknown. Today’s podcast is about what that feels like.

That’s little first-grade me in the picture, reading. And for the past few months, I’ve been reading a lot.

 

 

 

 

These are all books that will release in 2019 like mine, with the exception of the first, which is already out, and I’ve enjoyed reading each one of them for different reasons.

Reading has always been important to me. I cannot imagine my life without books. And in the past eight or nine years, writing has been just as important to me. So as I consider what 2019 will bring and make goals for myself, reading and writing figure heavily.

It’s hard to believe we are entering the last year of the twenty-teens. The last year of my 30s. The last day, today, that I will consider myself an unpublished author or an aspiring author. 2019 is sure to bring with it a lot of excitement and opportunity, some stress and probably some overwork, and certainly some disappointments or failures. But one of the things I am sure it will bring in spades is more great books to read, more stories to write. And what book-lover could ask for more?

Thanks for coming along this journey to publication through the storytelling vehicle of this blog. Some of you have been here since 2012. Some came along with me to this space from earlier blogs, starting way back in 2008. Ten years! Ten years of reading my words, looking at my photos, watching me sew, seeing my son grow from a baby to a fifth grader…it’s nuts how quickly the time slips by. And it’s exciting to think about what the next ten years will bring.

I’m so grateful to you for reading this blog and my newsletter.

I’m so grateful to those of you who will read We Hope for Better Things.

I’m so grateful that I get to do what I love and that what I love to do can offer you some pleasure, comfort, laughter, or maybe just a moment to slow down and think.

May the Giver of all good gifts bless you in the coming year with faith, hope, and love. See you in 2019.

1-Week NaNoWriMo Check-Up

We’re one week into National Novel Writing Month and I hope that any of you who are participating are finding success. I’ve been happy with my progress thus far — 15,535 words — and I have to admit it is due to two things: lots of pre-thought and a little pre-writing.

On the pre-thought tip, I’ve been ruminating on this story for at least a couple years, and in the past couple months my disparate ideas codified into something with enough layers and complexity to work for a novel.

As for the pre-writing, in the week or so before November started, I forced myself to write chapter summaries for where I saw the beginning chapters going and managed to get up through chapter 17.

What has that meant for the writing? Well, in this first week I’ve managed just shy of a chapter a day because I already knew the main plot and character points I was going to cover in each. I doubt very much that I can keep up that pace all month with a heavy workload of writing copy for the next catalog and Thanksgiving coming up. But a solid start does wonders for my motivation to push forward, and all those chapter summaries make it easier for me to write in short bursts that I can fit in here and there throughout the day as time presents itself rather than waiting for perfect conditions of a long block of alone time that will not be interrupted.

So what happens when I reach chapter 18 and the summaries are no more? Well, at that point I should be over the halfway point of the novel and the forward momentum of all that story should make the going easier. Plus, I do know the ending already. I may take an hour or so and write out the next five or ten chapter summaries before I go on writing the novel. Or I may find that that would just slow me down.

One thing’s for sure, though. NaNoWriMo came at just the right time for me this year and the progress I’m making on a new story after so much time fiddling with old ones or making false starts on new ones has me feeling much less anxious than I have been in a long time.

National Novel Writing Month Is Coming

Back in 2014, I won National Novel Writing Month. If you’re not familiar with it, NaNoWriMo is “won” by hitting 50,000 words written in a new novel in the month of November. It means you’ve written at least an average of 1,667 words a day for 30 days. And if you’ve never tried it, it is not easy.

Prior to 2014, I didn’t think I could write that fast or write under pressure. But the novel I started drafting back then became what will be my second published novel (in November 2019).

After that success, I tried to attempt NaNoWriMo again, but I was never quite ready at that moment to start something new. But this year, after sending a revision of my current WIP to my agent for her comments, and after thinking and planning and gathering notes on what I want to write next, I think I’m finally ready to tackle it again.

Or I’d better be, because I already signed up to compete.

For me, this may mean getting up early each morning to write before the day gets going. It may mean writing in the evenings instead of reading or watching a show. It may mean spending most of a Saturday at the keyboard. And it may mean all of those things at once!

Why try to write 50,000 words in one month? For me, it’s about momentum. Momentum that will carry me through a crappy first draft that I can then spend a lot more time revising and honing, which is my favorite part of the writing process. After all, you can’t revise what hasn’t yet been written. Plus, I haven’t drafted something totally new in at least two years as I have been focused on revising earlier works and letting my creative well re-fill. It’s time to get moving on a new story with a new cast of characters.

One of the things you do when you officially sign up for NaNoWriMo (at nanowrimo.org) is choose a working title, write a short synopsis, and upload a provisional cover in order to make it all feel more concrete. Here’s mine:

Mel and Ollie Go for a Walk

Sisters Olivia and Melanie Greene were college students on a remote wilderness hiking trip when their parents died in a terrible car crash. They emerged from the isolation of the woods that day only to discover that, except for each other, they were utterly alone in the world.

Ten years later, Melanie insists they mark the occasion by hiking the same trail. Olivia doesn’t see the point. They’ve gone their separate ways in life and now have little in common besides their grief–and their uncanny ability to get on one another’s nerves.

Olivia, a young, hungry lawyer, has retreated into a strictly materialist view of the world–what you see is what you get, and that’s all you get. Melanie, a self-proclaimed life coach and YouTube guru, affirms all spiritual belief systems, just to cover her bases. Neither of them is prepared for what the wilderness is about to throw at them.

As things go from bad to worse on the trail, Mel and Ollie will have to learn to lean on each other and find the right path in order to get back to civilization. Along the way, they will discover just how deep the bond between sisters goes.

I’ve been wanting to write a sister story for a while. And I’ve been wanting to write a hiking story for a while. (No big surprise, considering the fact that I hike with my sister regularly.) The kind of silly working title popped into my head one day and wouldn’t be dislodged, though once the book is written I am sure a better one will emerge. And obviously the very simple cover is just for my benefit (it doesn’t even have my name on it because there’s no good place to put it). But sometimes you have to visualize the finished product in order to make it more real, to make it something you’re willing to put in the work on.

The fun part about this story as I envision it? Taking all of those concerns one has when embarking on a backcountry hiking trip where there is no cell service–the possibility of bear attacks, sudden injury, getting lost, getting caught in the elements, running out of food or water, wildfire, being tracked by a person with ill intent–and throwing some of them at my characters to see how they react and what they learn about life and themselves along the way.

Embarking on NaNoWriMo is a little like taking a hiking trip. You plan as best you can, but you also have to make decisions in the moment. Because you never know what’s around the next bend…

 

The Artist, Undressed

No one likes to be vulnerable in front of others. Unfortunately, if you’re an artist of any kind, your best work will only come when you do just that.

Click here or on the graphic below for the story of when I was at my most vulnerable in front of an audience…

 

Houston, We Have a Cover!

If you receive my email newsletter, this is old news to you. If you don’t, you should! Those folks all got entered in a drawing to win an Advance Reader Copy of the book months before it actually comes out. (Don’t worry. There will be more opportunities to enter giveaways. But if you’re on my newsletter list, you are automatically entered into every giveaway I do.)

ANYWAY, what I really want to tell you is that we have a cover!

AND the book is already available for pre-order from Amazon, Barnes&Noble, Indiebound, and CBD. Pre-ordering is an excellent way to support a new author. It helps a book gain visibility in an online marketplace of millions of titles. And it shows retailers that there is an audience waiting for your book, which encourages them to take a chance on stocking a book from an unproven author.

When you pre-order, you will not be charged until the book is shipped. It may feel silly ordering a book six months before you can actually read it! But if you know you’re going to check it out anyway, it’s a simple way to lend your support.

 

Here is what the book is about:

When Detroit Free Press reporter Elizabeth Balsam meets James Rich, his strange request—that she look up a relative she didn’t know she had in order to deliver an old camera and a box of photos—seems like it isn’t worth her time. But when she loses her job after a botched investigation, she suddenly finds herself with nothing but time.

At her great-aunt’s 150-year-old farmhouse, Elizabeth uncovers a series of mysterious items, locked doors, and hidden graves. As she searches for answers to the riddles around her, the remarkable stories of two women who lived in this very house emerge as testaments to love, resilience, and courage in the face of war, racism, and misunderstanding. And as Elizabeth soon discovers, the past is never as past as we might like to think.

Take an emotional journey through time—from the volatile streets of 1960s Detroit to the Underground Railroad during the Civil War—to uncover the past, confront the seeds of hatred, and discover where love goes to hide.

 

Here’s what a couple bestselling authors have said about it:

We Hope for Better Things has it all: fabulous storytelling, an emotional impact that lingers long after you turn the last page, and a setting that immerses you. I haven’t read such a powerful, moving story since I read To Kill a Mockingbird in high school. This book will change how you look at the world we live in. Highly recommended!”—Colleen Coble, USA TODAY bestselling author of the Rock Harbor series and The View From Rainshadow Bay

“A timely exploration of race in America, We Hope for Better Things is an exercise of empathy that will shape many a soul. Erin Bartels navigates this sensitive topic with compassion as she shifts her readers back and forth between past and present, nudging us to examine the secrets we keep, the grudges we hold, and the prejudices we may help create even without intention.”—Julie Cantrell, New York Times and USA TODAY bestselling author of Perennials

 

Remember, you can pre-order through Amazon, Barnes&Noble, Indiebound, or CBD.

I can’t thank you enough for your support!

Who’s Afraid of Imperfection?

Yesterday I took up my journal for the first time in six weeks. Before writing anything new, I read the last entry from March 14th, which began with the question What am I building? 

The majority of that entry asked such questions — Will I ever stop yearning? For what?…Is it resolution? That stories have them but life does not?…Am I too aware of my own insignificance?…Is it simply March, that horrifying month of zero beauty?…Am I always to be utterly mediocre?

At points, it felt psalmic — Where are my friends? Who can understand?

Finally, I managed to get to the crux of the matter — I so often feel bound, stifled, tied by good manners and good decisions and doing things the right way…Can such a life ever lead to great art?

I read that yesterday and thought, Wow…I don’t remember feeling like that. In fact, things have been going pretty well this year…well, other than the weather…and the writing.

The weather is out of my control, and Michiganders are allowed a certain measure of existential angst in March (and this year well into April). But the writing? That’s all me, right?

The truth is, I’ve been struggling to write since last summer. I’ve flitted from project to project, never landing solidly on one. I’ve been anxious about the “wasted” time for about six months. Six months! I should have a new book drafted by now! Instead, I have two chapters each of two novels, ten pages each of two screenplays, half of a TV pilot, and one and a half poems. Oh, and a half-finished painting.

I’m not blocked. I have plenty of new ideas. Too many. What I’ve lacked is time and discipline and follow-through.

I have to allow that October through February were crazy, hectic days in our home (see my last blog post for why). It was pretty exhausting. And when you’re doing that kind of work, you’re going to need time to just decompress with TV, movies, and books. Which I did.

But now all that’s over and, other than the spring garden clean-up, I don’t have so many demands on my time. So why am I still struggling with the art?

Perhaps it comes down to expectations. I expect a lot of myself. I always have. Now that a wider audience is going to experience my work, I expect even more. I’ve begun a new round of self-criticism, brought on by doing the edits on We Hope for Better Things. The edits themselves were not bad. But I’ve begun to second guess some of them. Should I have rearranged that chapter that way? Should I have dropped that line? 

As I ask established authors to endorse the book I wonder, Will they read it and be unimpressed but feel they have to say something nice anyway?

As we work through cover designs, trying to get it just right and trying to get everyone involved on board…So. Much. Angst.

And that uncertainty makes its way to the new projects I’m trying to focus on. Because I don’t want them to simply be good; I want them to be better than what I’ve done before. I know, intellectually, that they won’t be perfect. But that knowledge doesn’t stop me from wanting them to be perfect.

Yet, perfectionism is the enemy of art. Back to that journal entry. Can a life of good manners and good decisions and always striving to do things the “right way” lead to great art?

My husband is turning 40 next month. I just turned 38. We are prime targets for some mid-life-crisis-level self-examination. What have we done with our lives thus far? How much time is left? Where haven’t we been (most places) that we long to go? Are we letting time slip by, unnoticed, while we are busy with what must be done in the day-to-day? Is the time for this or that just…gone?

Neither of us had a wild, rebellious phase. Neither of us took a year to hike through Europe and “have experiences.” We have done the school, job, house, family thing, and neither of us would ever give that up. But, as I have since I was a happy child, I do find myself worrying every once in a while…does such a measured and comfortable life lead to great art?

This morning I read a post on The Art of Simple called When the Art You Create Disappoints You. In it, writer Shawn Smucker tells about how his daughter wanted to paint a very particular scene that she had in her head. She worked on the painting all day. And then, when it didn’t turn out how she’d wanted it to, she painted over it. I have done this. Probably we’ve all done something similar with something we were trying to create. We have a vision of what it can be. We haven’t the skill to pull it off perfectly. And so rather than let this imperfect creation live, we hide it or destroy it.

There is a book I have been planning and researching and imagining for years now that I haven’t had the courage to start because I fear I don’t know enough or will not have the skill needed to pull it off. It’s not one of the several projects I have started and then left hanging since last summer. It exists in no form at all, not even an embryonic outline. Because it doesn’t exist, it can be perfect. The moment I begin to put it to paper, it will fall short of my expectations.

Done right, it could be magnificent. Done wrong, it could be a source of deep embarrassment.

I recently watched an episode of Raiders of the Lost Art that told the story of the theft and recovery of the Mona Lisa in 1911 and 1913, respectively. During the episode I learned something about Leonardo DaVinci I might have intuited, knowing what I know about the breadth of his creativity and the very different and innovative things he designed, from flying machines to war machines. The documentary makers mentioned how experimental DaVinci was and how that makes it difficult to identify newly found works that are purported to be his. One such recent find was La Bella Principessa, which was painted on vellum, a medium he was not known to have painted on.

They also discussed a huge fresco, The Battle of Anghiari, which may be hiding behind a later painting in the Palazzo Vecchio in Florence. It was a technical disaster. DaVinci had been trying out a new technique (on an enormous scale) that simply didn’t work. His paint was not adhering to the wet plaster beneath it. He set up large urns with fires burning in them in order to dry the paint, but instead of drying it the heat caused the paint and plaster to run down the wall. This was a master, commissioned to do a large and important work, and it failed.

One might argue that DaVinci should have stuck with the techniques he knew would work. He should have done it the “right way,” especially with the stakes so high. But was apparently more interested in experimentation, in keeping things fresh and trying out new ideas, than he was in succeeding by way of routine. And actually, by some standards he failed much more than he succeeded, as these two very short films show.

Imperfection takes far more courage than perfection. If perfectionism keeps us from creating anything at all because what if it doesn’t turn out perfect, that takes no courage at all. That’s just following fear where it naturally leads — to immobility, to stasis. But to create despite knowing full well your creation will be flawed? That takes courage.

My journal entry from March 14th may have been affected by the weather. Heck, it may have been hormonal. But at its core, I think it was voicing my frustration with myself for my own stasis when it comes to writing. Before there was the prospect of publication and reviews (and bad reviews) I could write anything without fear. Because if it didn’t work, who would know but me? But now I think I have subconsciously been letting concerns about audience and reception stifle my experimental streak.

Maybe I need a little less caution in my life. Maybe I need to reach back in time to an Erin that existed before responsibility, an Erin who never worried and never counted the cost when it came to creative expression. An Erin who dove in headfirst and figured things out as she went.

You may be wondering about the odd collection of pictures in this post. These are that Erin’s art, when she didn’t know what the hell she was doing. They’re technically immature, often derivative, and parts of them may even have been traced. But that Erin was happy with them in a way today’s Erin is never happy with her own work, whether it be drawings, paintings, poems, or stories. That Erin was fourteen, fifteen, sixteen, seventeen.

And somewhere inside Erin Version 38, that fearless Erin still lives.

 

My New Office Space

Finally, I had some time to take real pictures with a real camera of my real new office space! If you’ve followed this blog for a while, you may remember when I posted these pictures of my office on the main floor of our house (which I shared with my husband’s desk and my son’s desk, which is not pictured because these are old photos). Anyone who has been to our house can attest to the fact that it was NEVER this clean and orderly.

You may also remember seeing pictures of my son’s room the one day it has ever been clean. (He has been in a twin bed for years now, but since then his room has never been clean enough to photograph.)

After MUCH toil and cleaning and painting and hauling of furniture up and down ladders outside, we emerged triumphant in the bid to move my office into my son’s old bedroom.

One of my bookshelves moved up onto the landing (getting it upright after getting it through the door sideways was a miracle of geometry).

The medium blue walls have been repainted with a cool, calm blue called Tropical Surf. The rug came from Target.

My desk is part of a shelving unit I found at a secondhand furniture store here in town (which we call Bikes! Bikes! Bikes! because of the sign outside the store proclaiming same). Oddly enough, this shelving unit weighs five tons. More oddly enough, it was made in Yugoslavia. It’s the only thing I’ve ever seen that was made in Yugoslavia. And I can’t imagine us importing this kind of basic furniture from Yugoslavia of all places. However, I am glad it ended up here.

Now I have room for more of my books — especially my writing books — to be right at my fingertips rather than in another room or even on another floor.

The printer sits under the desk. In the top drawer are all my desky things — pens, stapler, various cords for various devices, etc. The bottom drawer is completely full of my little notebooks, about half of them full of notes and ideas for various writing projects and the other half full of blank pieces of paper ready to receive my ideas.

One of my shelves is graced with my son’s artwork, my souvenir from our trip to Disneyworld last year, my little Bob Ross mini-figure, and other memorabilia.

In one corner, Alistair the canary has taken up residence next to my sewing box full of notions and, at the moment, the wooden elephant statue from my grandparents’ house, which has been mine since my grandfather died in 1986. He won’t stay right there in the long run, but I haven’t quite decided on the best place for him.

In the other corner is my craft area, currently set up for painting but easily switched over to a sewing space.

By the way, behind that little door is a closet that currently houses my big file drawers, blank canvases, my dress form, my spools of thread, my guitar case, and other random items I need but don’t necessarily need to look at all the time.

You may have noticed that most of the walls are bare and that the wall that does have art on it is rather hodge-podgey and random. That’s because I intend to fill most of the walls up with an eclectic collection of paintings, prints, and posters, and even some needlework done by my sister and the super-’70s framed puzzle I got off the side of the road that everyone in the world loves (except my husband). However, I don’t have enough at the moment to fill all the space.

I’m going antiquing with a friend this Saturday and hope to find one or two things to add to the collection. And I have a great poster of an old map of Detroit that I need to get framed. Basically, I’ll be on the lookout for items with lots of green, teal, blue, and coral.

So that’s the office for now. A room of my own. With a door that shuts all the way. And with nothing in it that anyone else ever needs to access (save the printer, which is rare and generally not when I’m in there).

I’ve been completely happy with it so far.

Stay tuned for what the old office looks like now as the master bedroom. And maybe I’ll even take a picture of my son’s new room in all its messy glory.