The Worst Writing Advice I Ever Received…and More

I’m over on the Capital City Writers blog today talking about what I’m working on right now, the worst writing advice I ever received, and more. Here’s a taste…

1. What is your favorite part about writing? The most challenging part?

 

It’s hard to say what I enjoy most because I do enjoy all the different parts of the process for different reasons. I love the idea phase when anything is possible, the drafting phase when I am speaking worlds into existence, the revising phase when I am making this lump of words more closely resemble the perfect vision in my head. There are two contexts in which I feel more elementally me than any other: when I am silently and deliberately exploring the natural world and when I am writing.

 

The most challenging part is …

 

Click here to read the rest of the interview.

And tomorrow night I’ll be at Schuler Books & Music in the Eastwood Towne Center leading a free workshop called Empathy over Experience: Writing Convincingly from Someone Else’s Shoes.

The fun starts at 7pm. If you’re a relatively local writer, I hope to see you there!

“So how’s the writing going?”

I don’t know about you (if you’re a writer) but I find that question rather difficult to answer sometimes. The people who ask it mean well, whether they are asking because they really care about the answer or they’re asking because it seems like the mannerly thing to do.

In anticipation of my August 3 workshop on beating writer’s block, I’m over on the Capital City Writers Association blog talking about why my feelings about the “how’s the writing going” question are so very bipolar. Join me there and find out why, sometimes, writers just don’t want to answer that seemingly innocuous and polite inquiry.

Answering Five Questions about Writing

I’m over on the new and improved Capital City Writers Association blog today answering questions about writing and I’d love to have you join me there!

Capture

 

Click here to read more and if you’re in the Lansing area tomorrow evening head on over to the Eastwood Schuler Books & Music off Lake Lansing Road for my workshop on making the most of your first five pages (Wednesday, June 1, 7:00-8:30pm).

 

 

A Whirlwind Weekend at WOTRC

Write on the Red Cedar 2016

During the past week of blog silence I have been preparing for, participating in, and recovering from Write on the Red Cedar. It was a great conference, starting Friday afternoon with a four-hour workshop led by Bob Mayer, a quick bite at the State Room bar, and a fun mixer that evening.

Much of my time Saturday was taken up with manuscript reviews. I had read portions of eight manuscripts during the past week and made revision suggestions, then met with each writer at the conference to discuss what I thought was working and what I would work on next to bring it to the next level. Those meetings seemed to go very well, and the hope the writers who took advantage of that conference extra found it worth their while.

I also gave a workshop talk on taking your writing to the next level as part of CCWA’s Finish the Damn Book track. The room was packed and I managed to get through a lot of material in an hour (though that particular talk should really be at least 90 minutes, I think).

At the end of the day I ran an author/agent panel, had an intimate little dinner at the State Room with other presenters and volunteers, and then a swanky VIP party with wine, fancy hors d’oeuvres, and a six-foot wide gas fireplace flickering. And all throughout I ran to and fro chatting with conference goers, ecstatically greeting those I had invited from far-flung Michigan cities that I hadn’t known were really coming until I’d stuffed conference folders Thursday night and saw their names, and trying  to be helpful in general.

All of the talking, shaking hands, rushing around, and very little sleep for two nights in a row meant that by Sunday morning I was definitely coming down with something. Sunday afternoon I napped on and off for a few hours in front of a roaring fire at home, had dinner, watched Downton Abbey, went to sleep promptly at 10:30, and didn’t get up until 9 AM this morning, feeling a bit better, but not 100% just yet.

And so now it’s another week. The last week of January. I have a few little things left to finish up in the renovation of the Heritage Room at church, an article to write for the Women’s Fiction Writers Association, and some editing to do. Come February 1, though, it should all be finished and that, my friends, will be my New Year’s Day.

Gearing Up for Write on the Red Cedar 2015

In less than three weeks, I will be speaking at Write on the Red Cedar, a writing conference put on by my amazing writing group, Capital City Writers Association. The line-up includes the incomparable Donald Maass; authors, editors, and journalists like Kristina Riggle, Elizabeth Heiter, Natalie Burg, Lori Nelson Spielman, Chad Allen, Louise Knott Ahren, Kelly Rogers, Alyssa AlexanderDarcy Woods, Tracy Brogan, and my own husband, Zachary Bartels; indie publisher Tricia McDonald; and agents Nikki Terpilowski, Katharine Sands, and Ann Byle.

Today I answer nine questions about my own writing experiences and advice over on the Write on the Red Cedar blog

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1. What is the best writing advice you ever received?
Not long ago, I saw a little clip on YouTube of Anne Rice talking to aspiring writers and one of the lines that stuck out to me was, “Write what you want to be known for.” There is so much temptation to write what we think will sell. My own contacts through almost thirteen years of working in publishing are in a particular subset of the publishing world: Christian books. It is tempting, then, to write something with which I know my own publisher or another Christian publisher would find success. But I have never felt called to write the type of book I help to market as a copywriter. What I want to be known for is something else. So, while the road is rougher and feels like it’s all uphill, I have chosen to write novels that fit better in the general market than the Christian market.

2. What is the worst writing advice you ever received?
I have never been able to follow the pervasive advice to write every day. I can do it for a time when I’m drafting (I managed to keep it up for most of November as a participant–and winner!–of National Novel Writing Month in 2014) but once I type the last period of a draft, I can’t turn around and start writing the next novel the next day, even if I already have an idea of where I’m going with it. I need days off to let my well fill up again. I’m a believer in the need for Sabbath rest, both weekly and seasonally. Our culture is so harried compared to so many around the world, and I try, as much as I am able, not to let myself get sucked in completely.

To read the rest of this interview, click here!

The Joy of a Good Writers Conference

This weekend I spent a couple days in the company of other writers at the Breathe Christian Writers Conference. It was my third year attending, my second year leading a workshop, this time on taking our writing to the next level through rewriting and revision. We had a fantastic keynote speaker, Julie Cantrell, and I’m looking forward to reading her book, Into the Free. And we enjoyed inspiring words and a charge to write the truth and write at the highest level of excellence we can from Dr. Michael Wittmer, a professor at Grand Rapids Theological Seminary and a friend.

Besides those entertaining and encouraging presentations, I was able to attend workshops led by several talented writers, professors, and professionals, including

-Dave Beach, a psychologist who turns his expertise toward creating characters that are highly developed and nuanced by examining them through various psychological lenses. Check out his website, characterdoctor.com to try it out!

Zachary Bartels and Ted Kluck, who took us through all the pluses and pitfalls of indie and traditional publishing, highlighting their own successes and failures in both arenas, and teaching us how to read between the lines while working with editors and big publishing houses. Check out their indie micropress, Gut Check Press.

Dr. Michael Stevens and Dr. Matt Bonzo, who gave us insight into the life’s work of Wendell Berry, who spent fifty years writing about one small locality and made the people and the events in this little rural Kentucky town speak to readers on a universal level. I’m very interested to read their book after dipping into Wendell Berry ‘s work.

I was also privileged to spend time in the company of writers like Tracy Groot, Suzanne Burden, Alison Hodgson, Andy Rogers, Josh Mosey, and others. Breathe is an intimate, noncompetitive group–far more intimate than the huge ACFW Conference we went to in St. Louis this year–and I appreciate the camaraderie there.

The whole affair has me even more excited for the second annual Write on the Red Cedar Conference that my own writing group, Capital City Writers Association, is holding January 16-17 in East Lansing, Michigan. We’re ecstatic to welcome literary agent and author Donald Maass as our keynote, along with other writers, journalists, editors, and agents from around the country. If you’re a writer in the Midwest, this is a not-to-be-missed opportunity to learn from some of the best in the business for a very reasonable price.

You’ll be hearing more about that conference in the months to come. In the meantime, our very busy season at home is hopefully slowing down a little bit. Around here there are gardens to ready for the winter, desks to clean off and organize, quilts and crochet throws to make, rooms to clean…and a new novel brewing in my mind.

October is half over. I want to really live intentionally during the second half. How about you?

5 Reasons You Need to Attend a Writers Conference

On Saturday I attended the first ever Write on the Red Cedar writing conference, hosted by a relatively new writers group in the area, the Capital City Writers Association. The featured speakers were writer, blogger, and literary agent guru Chuck Sambuchino and literary agent April Eberhardt. Both were friendly, gracious, funny, informative, and accessible. In fact, everyone was friendly and fun to be around. It was a great group of both established writers (like Lori Spielman) and beginning writers.

But why go to a writers conference? Why spend the money? The time? I’m glad you asked. Here are 5 good reasons:

1. Network. Writing may be something you can do alone, but publishing and getting your book into the hands of readers is not. Even if you self-publish, you need a network of people who can help you along the way with everything from editing and cover design connections to endorsements and book reviews. So much of publishing success lies in who you know. So you need to get out and meet people.

2. Hone your craft. Working in isolation can make us fall into lazy writing, even bad writing. Yes, you can read books (like this one) but it’s also helpful to get jolts of focused advice in one-hour portions. I went to a workshop once that was about where to start your story, with much of the class focused on just the first sentence. It was extremely helpful.

3. Make new friends. I know you have friends, but having friends who are fellow writers is awesome. Writer friends spur you on, cheer for you, complain with you, and know what you’re going through. They read your drafts and give you constructive criticism. They go to the next writers conference with you. They are special.

4. Learn insider tips and tricks. When you go to a conference attended by professional writers, editors, agents, or anyone else involved in the Industry, you get priceless insider information about how publishing really works on the ground level. I gave out a lot of such information at both Breathe, where I was a speaker, and Write on the Red Cedar, where I was an attendee.

5. Meet agents and/or editors. Nothing can substitute for positive in-person interaction between a new writer and an agent or editor. Cold calls and queries just don’t carry the same weight as a handshake and a great conversation that will make you real and memorable. Not every conference or retreat has agents and editors attending, but even if they don’t, people you meet there can lead to meeting agents or editors in the future. You never know who someone else has connections with.

If you’re just starting out on your writing journey, I can’t recommend good writers conferences enough. Just being around that many other people committed to improving their writing and helping each other along the way is energizing and encouraging.