Houston, We Have a Cover!

If you receive my email newsletter, this is old news to you. If you don’t, you should! Those folks all got entered in a drawing to win an Advance Reader Copy of the book months before it actually comes out. (Don’t worry. There will be more opportunities to enter giveaways. But if you’re on my newsletter list, you are automatically entered into every giveaway I do.)

ANYWAY, what I really want to tell you is that we have a cover!

AND the book is already available for pre-order from Amazon, Barnes&Noble, Indiebound, and CBD. Pre-ordering is an excellent way to support a new author. It helps a book gain visibility in an online marketplace of millions of titles. And it shows retailers that there is an audience waiting for your book, which encourages them to take a chance on stocking a book from an unproven author.

When you pre-order, you will not be charged until the book is shipped. It may feel silly ordering a book six months before you can actually read it! But if you know you’re going to check it out anyway, it’s a simple way to lend your support.

 

Here is what the book is about:

When Detroit Free Press reporter Elizabeth Balsam meets James Rich, his strange request—that she look up a relative she didn’t know she had in order to deliver an old camera and a box of photos—seems like it isn’t worth her time. But when she loses her job after a botched investigation, she suddenly finds herself with nothing but time.

At her great-aunt’s 150-year-old farmhouse, Elizabeth uncovers a series of mysterious items, locked doors, and hidden graves. As she searches for answers to the riddles around her, the remarkable stories of two women who lived in this very house emerge as testaments to love, resilience, and courage in the face of war, racism, and misunderstanding. And as Elizabeth soon discovers, the past is never as past as we might like to think.

Take an emotional journey through time—from the volatile streets of 1960s Detroit to the Underground Railroad during the Civil War—to uncover the past, confront the seeds of hatred, and discover where love goes to hide.

 

Here’s what a couple bestselling authors have said about it:

We Hope for Better Things has it all: fabulous storytelling, an emotional impact that lingers long after you turn the last page, and a setting that immerses you. I haven’t read such a powerful, moving story since I read To Kill a Mockingbird in high school. This book will change how you look at the world we live in. Highly recommended!”—Colleen Coble, USA TODAY bestselling author of the Rock Harbor series and The View From Rainshadow Bay

“A timely exploration of race in America, We Hope for Better Things is an exercise of empathy that will shape many a soul. Erin Bartels navigates this sensitive topic with compassion as she shifts her readers back and forth between past and present, nudging us to examine the secrets we keep, the grudges we hold, and the prejudices we may help create even without intention.”—Julie Cantrell, New York Times and USA TODAY bestselling author of Perennials

 

Remember, you can pre-order through Amazon, Barnes&Noble, Indiebound, or CBD.

I can’t thank you enough for your support!

First Short Story Collection: Cover Art Reveal!

Over a year ago, I secured the services of Heather Brewer, a talented graphic designer I’m lucky to call a colleague and friend, to design a book cover for me. At the time, I thought it would be a novel. At some point I realized that what I really wanted her to design was the cover for my collected short stories.

If you’ve been reading this blog for a year or more, you probably know that in 2013 I challenged myself to write one short story each month. During that year, I made each story available for Kindle users. Now I’m gathering those stories together, adding more material, and preparing to publish the collection as both a printed book and an ebook.

And this, I’m ecstatic to say, is the cover…

CoverFlat

When I saw it, I literally said in a loud and astonished voice (to no one in particular), “Oh my GOSH!” 

It’s breathtaking. And it’s more than just a pretty picture. Not only is it eye-catching, it evokes the kind of emotion that I hope the stories evoke in the reader–a little mystery, a little ache in the soul, an appreciation of beauty alongside an acknowledgement of the broken things. And, importantly, it’s non-gendered. In this collection, there are just as many male protagonists as female, and the themes are more universal than gender-specific, so having a cover that would appeal to both men and women was important to me. What do you think? Have we succeeded?

I’m currently editing the collection and getting the interior ready to go. I don’t have a firm release date just yet, but my hope is that it will hit the “shelves” by late summer or early fall. I’ll keep you posted!

The Mad, Mad Adventure of Writing to a Title

Ideas for writing come from all over–overheard conversations, awful dinner parties, a moment in time that hits you just right and sparks something inside of you that can only be described as the literary gene. But sometimes, you have to make the ideas come. Like when you’re on a deadline, self-imposed or not.

For several of my short stories this year I’ve started with a title idea and/or cover image rather than actual plot or character ideas, and it’s been interesting to see where that leads my writing. Because of this, I’ve run into a rather interesting situation I thought I’d share with you creative types out there.

For August’s short story I started with a title which I drew from a quote from Virginia Woolf’s diary where she is describing a total solar eclipse that she and her friends saw. I loved the phrase “the astonishing moment” which she used to describe the moment the eclipse was total and the light in the world simply went out. So I pulled that phrase out and thought it would make a compelling title to write to. I popped it on a photo I took up at Lake Superior whilst hiking Pictured Rocks last summer and thought perhaps I’d do a story with hiking as a backdrop. Here’s the cover I came up with:

OLYMPUS DIGITAL CAMERA

But then Saturday night when I started to think about getting started writing, I decided to reread the section of Woolf’s diary that had inspired the title and pull out a quote with which to begin my story. Here’s what caught my fancy:

“We kept saying this is the shadow; and we thought now it is over—this is the shadow; when suddenly the light went out . . . . How can I express the darkness?”

~Virginia Woolf

Clearly that quote and my original cover concept do not match.

Rather than lose the pathos of that quote by omitting it and just writing the story I had (very) vaguely formed in the back of my mind, I decided to try again at the cover art. I pulled a photo I just took up at Mackinac Island, manipulated it a bit, and came up with this:

OLYMPUS DIGITAL CAMERA

Clearly this new image does fit the quotation. I’m pretty sure the story will not be about hiking. I’m pretty sure it will be “maritime” in flavor. And I’m pretty sure some bad things will happen to the characters.

And that’s all I’m sure of.

On Marmots and Busting through Writer’s Block

According to a fat little marmot, we will be having an early spring. But I don’t put much stock in what marmots say, so I imagine that spring will come officially on March 20th and that we in Michigan will still have to suffer the insult of an April snowfall and wait until May to plant our tomatoes.

However, I do know of one thing that will be coming early. One day after I wrote this, I finished this…

The Door

Once I settled my mind on the point of the whole thing, the writing of February’s short story went from slow-drip to freely flowing. And that feels so very good. I’ll leave it alone until my “editor” has a chance to critique it, but I’m itching to get it styled and uploaded to Amazon. I imagine it will be ready around Valentine’s Day. Though I’m not sure of it’s “giftability.”

I’m also eager to get started on my next story. Here’s a peek at what’s coming down the line for March…

This Elegant Ruin cover