A Tinseltown Twist on NaNoWriMo

It’s that time of year. Emails from National Novel Writing Month are popping up in my inbox. Writer friends are talking about prepping for NaNoWriMo on Facebook. Writerly blogs are starting to post content about it.

And here I am looking ahead to a leisurely, wide-open November and several projects I could choose from. So what am I going to do with those thirty days?

I think I might write my first screenplay.

Screenplays are a LOT shorter than novels, so I wouldn’t be trying for 1,667 words per day to hit 50,000 by the end of the month. A 120-page screenplay (with the average of one minute screen time per page) written in 30 days means averaging four pages a day.

I’ll be taking pre-writing work and tentative outlining I’ve done for a novel and turning toward a more visual medium, for a few reasons. First, I’ve never written a screenplay and I enjoy continually expanding my experience and repertoire. Second, the idea had first started in my head as a great idea for a movie. Third, if the screenplay goes nowhere, which, let’s face it, it probably will (won’t?), it can still function as an extended outline for a novel.

To that end I have been watching a ton of interviews with screenwriters and gleaning lots of advice. I’m searching out well-respected and successful screenplays to read. I’m contemplating taking a screenwriting class in the future. And I’m happy to have an excuse to re-watch a bunch of films that feel like they are in the vein of what I intend to write so that I can take notes on scenes, sequences, and structure.

A screenplay seems just the speed of something I’d like to fiddle with over the cold months while I continue to freefall down the research hole for my WWI novel.

Those are my November plans. How about you?

Government Documents Make Maeby Feel C-

When I began writing a book about the books we read over and over again and a quirky little used bookstore in peril, I had no idea I would end up mired in research about the federal criminal court system, reading documents like Federal Rules of Criminal Procedure (which has a foreword by the current chair of the Committee on the Judiciary, whose delightful last name happens to be Goodlatte–seriously, it is) and perusing websites with colorful maps of Circuits of the Federal Judiciary and flow charts about how cases move through court.

And yet, here I am, hunched at my desk, squinting through it all and trying to figure out just how a couple cases in my novel’s backstory would have gone.

Imagination, if you let it, can take you to places you’d never expect (or go on purpose). This is not the kind of research I enjoy. I love reading well-written books about history or biographies of fascinating people. But reading dry-but-necessary material put together by the government makes me feel a little like this:

 

BoredEmmaStone

And this:

BoredEdwardNorton

And this:

BoredJamesMcAvoy

And occasionally this:

MaebyNoSense

So if there are any federal judges or district attorneys or lawyers out there who want to help me out with this, don’t hesitate to drop me a line. Sometime in the future you may get a free book with your name in the acknowledgments out of the deal.

Now don’t everyone all jump up at once…

What I’m Reading in 2015

Well, I ended 2014 with what I’m assuming was a mild case of the flu and the news that our church had been broken into. I began 2015 with four stitches after a blunder with an extremely sharp knife that seemed to want to separate my right thumb from the rest of my hand. I also turned 35 on Friday. So there’s that.

Today was better, though. I’m healthy, my hand is healing, and I’m hoping to finish up the draft of my work in progress, a novel I’m currently calling I Hold the Wind, in the next couple weeks. I am also making preparations for what will probably be a full year researching for my next book, a historical novel set in various locales in France, Austria, and Germany during World War I and the years preceding it. I’m calling that one Enough of Peace at the moment. Here’s what I’ll be reading in 2015…

OLYMPUS DIGITAL CAMERA

 

Since Christmas I’ve been hip-deep in failing aristocracies, rising anarchy, the Dreyfus Affair, and various other social and political upheavals as I read about the decades that led up to the start of WWI in Barbara Tuchman’s The Proud Tower. I’ve also been reading Mein Kampf, which has been alternately fascinating and horrifying.

Europe in the late 19th and early 20th century was glossed over a bit in my history classes. Except for the requisite pat on the back for ending the war, the First World War was not a subject upon which we lingered. Generally, we stuck to American issues: Reparations after the Civil War, the Industrial Revolution, the Roaring Twenties, and the Depression, only concerning ourselves with Europe again when we were sucked into the Second World War. For that reason, I’ve never truly understood the causes of WWI. All I remember learning about it was that it was the first truly mechanized war, it was the first war to be fought partially in the air, there were lots of trenches, and the colossal loss of life was all in vain. So I’ve got a lot of catching up to do.

Also on the immediate horizon is the Write on the Red Cedar writing conference that my writing group, the Capital City Writers Association, is putting on. We’re officially sold out (!) and taking care of all the last-minute logistics. I’ll be sure to share pictures from and thoughts on the conference in late January.

Oh, and in the past couple days, it has finally snowed. 🙂

3 Easy Ways to Get Back into Writing Your Book

Ideally, we would all have time to work regularly on our writing projects, never allowing the fire to cool or the story to get stale. But reality is rarely ideal. It’s reality. It’s busy times at work, kids who need love, meals that need making. Those clothes won’t wash themselves, you know. So we often find ourselves torn away from our works-in-progress for a time and they turn into works-in-the-backs-of-our-minds. Sometimes we wander away from our writing fairly purposefully when we aren’t sure what comes next.

Either way, how do you get back in the groove after an absence? Here are three easy ways…

Reread. If it’s been just a few days, reread the last chapter. If it’s been more than a week or so, read what you have written so far, from the first to the last page, to get yourself not only back into the story, but also to reorient yourself to the flow of the story thus far. It’s more than simply figuring out where to go next. It’s recapturing the flow, the voice, the tension, the characters, the setting. Immerse yourself in it as a first-time reader would and you’ll be propelled forward in the story by the momentum you’ve hopefully built up. Plus you’ll see if what you’ve written thus far still holds up after letting it rest. You can also listen to what you’ve written, which gives the story another dimension altogether.

Outline. After that, see if you can outline what happens in the next few chapters. It helps to have at least a small idea of the road ahead. Just seeing a paragraph of synopsis (which I tend to write before an actual chapter is written) can almost trick you into thinking you’ve already written that chapter and give you a small feeling of accomplishment, which you can then ride into the actual writing of that chapter. Then, when it’s written, you can go back and tweak your synopsis to match what you actually wrote. In this way you are also finishing a chapter-by-chapter synopsis to put into your book proposal later. Two birds, one stone.

Research. Read over any research notes you may have taken to put you back into that world and spark your imagination with possibilities for your characters. If you are writing anything besides contemporary fiction that is set in a city like your own, you need to put yourself back in the right place, the right time period, and the right clothes. You need to pick up those speech patterns you’ve given your characters. You need to reorient yourself to that world, reintroduce yourself to its problems.

Now stop fooling around on the internet and get back to work!

A Letter to My Future Self

OLYMPUS DIGITAL CAMERA

This morning I wrote a letter to myself, sealed it in an envelope, and taped it to the December page of my 2014 calendar. On January 1, 2015, I plan to open it. I won’t tell you what it said just yet (maybe I will next New Year’s Day), but in it I made some suggestions and promises to myself. I hope to find that this year next time some hopes and dreams will have come to pass, some goals may be met, and some growth may have occurred.

As for writing goals, this year I have just one–to write, revise, and edit my novel so that, come 2015, I’m ready to query agents. I’ll do other writing-related things, like publish my ebook, The Intentional Writer, and my collection of 2013’s short stories (now planned for June to avoid rights conflicts). I’ll put the individual short stories up on Smashwords for you non-Kindle users. I’ll continue to write in this space.

But the main thing is the novel. I’m quite thrilled about it. The first couple days of writing have gone well and netted me close to 5,000 words and a lower back ache that is subsiding a little today.

Here’s where I’ve been writing:

OLYMPUS DIGITAL CAMERA

The big map is of Detroit and the markers are to delineate borders at various times in the city’s history and highlight spots affected by riots. The books include a number I’ve already read, some relevant ones I got for Christmas, and the sixteen new ones I just picked up from a couple used bookstores. Because, after all, the more you research the more you realize you need to know. I’m hoping I can get them all read as I work on writing the book.

My husband says it looks like I’m planning to go back in time and murder someone.

OLYMPUS DIGITAL CAMERA

But actually, I imagine the body count will be far greater than just one…

Adventures in Shameful American History

If I’ve been absent from the blog lately, it’s because I’m steadily checking things off my end-of-year to-do list, including much reading. I’m finishing up preliminary research for my novel and have spent much of the last six months exploring the very violent history of race in America, from pre-Civil War through the 1960s. And despite having minored in US history in college, it has been jaw-droppingly eye opening.

In school, we generally learn about the slave trade, the escalation of slavery with the advent of the cotton gin, the Civil War and Emancipation Proclamation (whose 150th anniversary we have recently noted in this country), and the very beginnings of the period known as Reconstruction (maybe). During this time we learn to love Frederick Douglass, the former slave who ran in white circles, and to appreciate, but be slightly suspicious of, the more dangerous-sounding W.E.B. Du Bois. We then briefly consider the Industrial Revolution before we plunge into a string of wars overseas–the Spanish American War, WWI, WWII, the Korean War, and Vietnam.

Finally we circle back around to the race question. How have the descendants of those freed slaves been faring all this time we’ve been focused on lands across the oceans? Apparently poorly. So we read about the Civil Rights Movement and learn to love a pacifist preacher named Martin Luther King Jr. and learn to be wary of people who preach revolution like Malcolm X. At least, that’s how it went when I was in my mostly white high school.

We get the arbitrary bookends of a struggle, as though Civil War were the beginning and Civil Rights were the end, which, obviously they weren’t. But even if they were the beginning and the end, what happens when we read just the first and last chapter of a book and nothing in between? We might be able to figure out what happened at the end, but we won’t understand why. Most importantly, we will not have had any way to identify with or even develop much empathy for the protagonist because we haven’t seen his struggles clearly. We’ll be given a clue here and there in the last chapter, but we won’t really know what those clues truly mean.

This is what happens when educators and media focus on the grand moments in history (like the anniversary of the Emancipation Proclamation or Martin Luther King Jr.’s “I Have a Dream” speech) and yet neglect to help people fully understand the very long story that connects them, the frighteningly grim realities that tie those singular pretty moments together. We watch the stage being set and we see the moments before the final curtain, but while the play is being lived out on stage, we’re standing outside the theatre having a smoke.

So what happened while we weren’t paying attention? What happened in the years between Emancipation and I Have a Dream? That’s what I’ve been reading about. Day after day, week after week, I’ve been reading. And I have been stunned at all I never really allowed to sink in.

As a young student, my understanding of the Civil Rights Movement of the 1960s was that it was about fairness. It wasn’t fair for one group to be treated as second class citizens. I never really understood how far beyond “separate but equal” or belittling speech or dirty looks the issue really went. The photos in our history books of “Whites Only” and “Colored Only” signs cannot begin to help a person understand the sheer magnitude of the continuous suffering of black people in America.

Our books should have shown children picking up severed toes and fingers of lynching victims as souvenirs. Because that happened.

Our books should have shown people strung up and tortured for nothing more than baseless accusations or because they were nearest person with dark skin that the crowd had handy. Because that happened, at one point every four days.

Our books should have shown close-ups of anguished faces of bereft mothers, wives, children, and brothers. Because that happened with heartrending regularity.

Instead, we saw blurry figures seated at counters or standing in lines or walking down the street. Always from a distance too great to see the expressions on their faces.

And what could never be shown in a photo, but that can be drawn–slowly–from 1,000+ pages of interviews, statistics, newspaper clippings, and historical inquiry, is the psychological terrorism that lay beneath the outright terrorism. The confused and hurt minds of children growing up under a cloud of invisible and arbitrary rules, worried that even the smallest infraction could be the catalyst to their own death or the deaths of loved ones. The utter lack of any sense of self-worth that generation upon generation must have felt. The hopelessness.

But we don’t have time for real history. We only have time for soundbites and headlines. And so we don’t understand times past and thus we don’t understand the present time. We think, “Why are they so angry? Why can’t they just be patient? Why can’t they let things right themselves naturally?”

The more I’ve read, the more I realize that, had I been alive and black in the 1960s, I almost certainly would have been militant. I now understand those figures in history that I had been subtly taught to stand in judgment of for their confrontational writings and speeches. I think I would have admired Martin Luther King Jr.’s ability to organize a nonviolent movement, but I would have found it hard to undertake personally. And I now have even more respect for the incredible individuals who did take part in peaceful civil disobedience and did not retaliate when they were attacked, hosed, bombed, and beaten–an almost supernatural forbearance.

There is no denying that the history of this country is one steeped as much in violence and oppression as any other in the history of the world. We like to believe that we are different. But we aren’t. We are not somehow above it. We pretend we are and we sit in judgment of societies that make no attempt to hide their violence. We decry genocide while we recently (in my parents’ lifetime) often stood but a hair’s breadth away from it. We focus on ideals and gloss over realities.

When you take the time to read deeply about slavery, Civil War, Reconstruction, Jim Crow, lynch mobs, the Great Migration, race riots, and all the many political maneuverings carried out in order to subjugate, separate, and even annihilate the descendants of slaves in America, you see the awful truth: our history isn’t pretty.

But, you may argue, my ancestors never owned slaves, never lived in the South, never this, never that. I know. I can say the same about mine. Many of mine weren’t even Americans until the 1940s. The reality is, though, that if you live in America, its history is your history. We cannot avoid being formed by it. The present realities of our lives and our relationships with those people who look different than us are partially a product of that cumulative history, whether or not we had anything to do with it.

The thing is to not ignore it. Pretending violence and racism and subjugation do not exist does nothing to negate them. It is simply refusing to acknowledge the flames even as the house burns down around you. We should be able to learn about the past, talk about the past, and use the past to inform the future. A better future.

As I finish my initial research (right now I’m reading the incredibly readable and fascinating The Warmth of Other Suns about the Great Migration) I am sobered, stunned, stupefied by the past–and yet I’m looking forward to working through our history with fiction. Sometimes the best way to display the truth in such a manner that others grasp it and allow it to change them is through stories. And I have a story to tell.

I only hope I am up to the task.

Research, Reality, and Reaching Out to Other Writers

Have you ever been “done” with research only to find that you are just getting started? Over the past few months I’ve read several books (two of them around the 500 page mark) and watched about 30 hours of documentaries on various historical aspects of the time periods my WIP covers (or will cover if I ever get done researching). I felt I was done.

Then I went out to dinner with my friend Valerie.

While waiting to be seated at a restaurant, we wandered over to Schuler Books & Music and perused the used book section, where I found (with her pernicious help) two more l-o-n-g books to read as background research. Mind you, I was not looking for these books. They were looking for me. Nothing from these books will actually end up in my novel, as the time periods they describe are not covered in my story, but the background knowledge they promise to provide is really essential for understanding some socioeconomic and cultural realities in a particular place and time that will be covered in the book.

All this to say, I’m not ready to write as gung-ho as I would have to be in order to do NaNoWriMo. Beyond that, I have not been able to finish November’s short story this week as I had hoped, so I will have that to do next month as well. Releasing myself from NaNoWriMo madness also allows me to work on that nonfiction book about intentional writing I mentioned. So I’ll still be writing, I’ll just be switching the order that I work on two of my projects.

In addition to that, I will be a contributing editor to the Women’s Fiction Writers Association‘s newsletter and I’ve been asked to prepare a feature article for their first issue. I’m very excited to have the opportunity to reach out to other writers beyond those of you who read this blog through my involvement with WFWA and through the writing book (which I hope to release in January now).

So the plan for the rest of 2013 will be to finish up my last two short stories, finish my nonfiction book for writers, start writing and editing for WFWA, and really finish my research. And that is plenty for just two months. In January, once the writing book is released, I’ll work on formatting my collection of short stories for a print edition for all you non-techies. And then, once those other items are off my plate, I will have the time and mental energy to devote every free moment of writing time to my novel.

So that’s how my year is wrapping up. What about you? What do you want to finish before 2014 rolls around? Tomorrow begins a new month. Thirty days to work toward the finish line of whatever goal you have right now. What are you going to do with the time you have?