Sunday afternoon I managed to type out two very important words on the novel manuscript I have been drafting on and off for the past year or so: The End. Always a good feeling.
A few days before that I was on the phone with my agent discussing submissions and what I’ve been working on and what might be next. I had thought that at the WFWA retreat in September I might work though a new novel concept in Lisa Cron‘s Story Genius sessions, which I would then start drafting during National Novel Writing Month (November). The one I had in mind would be a follow-up/sequel to a novel that hasn’t even gone out on submission yet. We both agreed that it would be premature to start working on it since we don’t know anything about the fate of the one that would come before it. Who knows if and when book one will get published, and if anyone would even want a book two?
And so, I’m left with the task of choosing what to focus on during the rest of the year. I’ll be sending my newly completed draft out to various readers over the next few months, getting feedback, and making revisions before turning it in to my agent at the end of the summer. But in the meantime, I want to be working on the next thing. Always the next thing.
I have three projects in mind, all quite distinct and requiring different skills. First, there’s my poetry chapbook. Second, research and outlining for a historical novel that I’m not sure I’ll be ready to start drafting in November. Third, a new collection of short stories that would tell an overall story over the course of the collection.
This last one is what most interests me at the moment. I first got the idea when I went to Albuquerque for the first WFWA retreat in 2015. All of the stories would take place in the same hotel and characters from one may appear in another in a different role (i.e., the POV character in one story become a supporting or background character in another, or even an antagonist).
Having this mix of writing activities, ranging from research to outlining to drafting to writing poetry to formatting and producing a book, will keep me plenty busy and also allow me to switch from one thing to another as the muse inspires.
Through it all, I intend to continue to paint and to build my freelance editing and writing base.
To some, this might feel scattered. Lots of people like to have one big goal rather than lots of smaller projects. But I’m definitely a project girl. I do have an overarching goal, of course: publish my work. Even bigger? Earn my living from writing what I want to write. Lofty? You bet. Attainable? With persistence and a bit of luck.
Only I don’t actually believe in luck. So how about persistence and Providence? Yep. I’ll take it.
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