I was reading an article Monday about a couple that both wrote novels and decided to self-publish. Good for them, I thought. It seemed from the beginning of the article that they were just looking for an outlet for their creativity. But then I came across this quote about why they decided to self-publish instead of look for a traditional publishing contract:
“It was disappointing,” she said. “How long do you decide to torture yourself with getting rejected by every publisher in the business before you decide to say you know what, my story’s good enough that it doesn’t really need the approval of a bunch of business people?”
But how many agents and publishers had they queried? Ten each. Ten.
Ten is “every publisher in the business?” No. No it is not. Despite the Big Five, there are still hundreds of publishers and there are thousands of agents.
The couple says that the reason they didn’t have the patience to wait out more rejection in hopes of finding someone who would champion their book is because of their age. Are both in their 80s? Nope! Both are in their 40s.
That’s fine. I may disagree that their age precludes patience (and I’m starting the home stretch toward 40 myself) but of course anyone who wants to can go it alone, and it’s a great choice for a lot of people. I’m self-pubbing short stories every month, so who am I to criticize? And their genres (sci-fi and fantasy) tend to do better in ebooks than many others. But here’s the hard reality: between the two of them, they’ve sold about fifty copies.
This is what traditional publishers (those “bunch of business people”) can generally guarantee: you will sell more than a few dozen copies. You may not be the next bestseller, but you will sell more because your book will be more visible. It will be in physical bookstores, which, yes, people still shop in. It will be sent out for reviews (these authors had to pay Kirkus to review their books). It will get professional editing and proofreading (I haven’t read either book, but a “look inside” one of them on Amazon reveals fourteen en-dashes that should be em-dashes [or commas or sentence breaks] and a distracting slew of ellipses on just the first couple pages).
Those “business people” aren’t sitting in a huge conference room somewhere, gleefully rubbing their hands together and sending out rejections because they don’t “approve” of a story. They love books. They love helping authors improve their books. They love seeing books get into the hands of eager readers. They love their authors (despite what some online rants from bitter authors would have us think) because their authors are the ones who make the whole business possible. Without stories, there’s no business.
I’m glad that these two are putting their books out there. I hope they sell a ton of them and it sounds like both are working on their next novels. They are doing it as a creative outlet. Maybe they don’t care about sales or paychecks from it since it is not their primary employment. And that’s just fine.
But I don’t want anyone to read their rationale, that ten “business people” didn’t respond positively, and think that if you didn’t get a contract after ten queries that there’s no point in querying more. Or that the people who work in the publishing business are heartless or just out to make a buck.
Everyone–everyone–I know in the business (hundreds and hundreds of people) are in the business because they love to read, love to write, and think a good book is its own reward. They simply love good storytelling and they want every book to reach as many readers as possible because they want an author to be read.
Maybe at the tip-top of the Big Five there are some full-on “business people” who are only in it for a fat paycheck. There are the Rupert Murdochs of the world, naturally. But for every one of them, there are thousands of agents, editors, marketers, publicists, and production people who are in it for the love of a good story. They are not a gauntlet of stick-wielding sadists who are looking to pummel an author with rejection. They are an army of supporters who want an author to bring his or her very best to the world.
Thing is, you don’t generally get published by asking just ten people to look at your work. It does take time and tenacity. So many great stories go unread simply because their authors gave up too quickly when faced with the fact that they might not be the next big thing right out of the gate.
Full disclosure here: For my first novel, I have queried 117 agents. Agents I’ve researched. Agents who I know rep my sort of story. Agents who have said they are looking for new clients. Today, one of those agents (number 113) is presenting my proposal to her partners. Together they will come to consensus on whether or not to take me on as a client. If it happens, I’ll be very happy that that particular leg of the journey toward publication is complete. But I’ll also know that it’s not over because then my agent will have to convince a publisher to take on my novel.
If it doesn’t happen, I’ll be disappointed. But then I will start researching more agents who might be a good fit for me and my writing. Or perhaps I’ll self-publish (after getting a professional edit on my own dime) and move on to the next novel, which might strike a chord with an agent where the last one didn’t. Who knows.
The point is, I believe in the publishing industry and I still see value in it. Maybe it’s because I have an inside track on it (I work for a traditional publisher). I love a lot of aspects of self-publishing and it is the right route for certain people and certain projects. But it’s not right if you’re just doing it because you’re impatient. Rejection isn’t just part of the game, it’s an essential part. Because it should make you a better writer.
Had I self-pubbed after I got my first ten “no thanks” responses to my query I would have published a book that wasn’t ready, that was inferior to the book it is now in more than one way. If these two authors had queried agents who rep their genre and were looking for new clients, the rejections they received should have been the first clue that there was something in their writing that needed improvement.
From my 117 queries, I received 11 very helpful rejections and one specific request for revision and resubmission. That’s 10% who read at least a portion of the manuscript and had a lot of positive things to say about it, yet had reservations for a variety of reasons. One of those rejections was a hard one to take because it had a lot of criticism in it. But even that one, when I had let it settle in, contained helpful revision advice.
My manuscript is far stronger now than it was when I sent my first query to an agent in early April of 2012. Yep, that’s nearly a year and a half ago.
So what’s my advice on when you should give up on your dreams? Never. Even some of the greats were told at various times by various people that they lacked talent, their stories were uninteresting or unmarketable, and that they should pursue another line of work. Keep working, keep improving, keep trying.
And for goodness sake, have the humility the learn something from those “business people” in publishing.
Oh, and you don’t have to take my word on all this. Turns out agent Rachelle Gardner was thinking about some of the same things this week!