Here’s What Has Been on My Nightstand

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So this is what I’ve been reading for the past few months. Except for My Antonia by Willa Cather, I’ve read all of these in the past–most in high school. They’re all books I already had on my shelves at home. And I hope to more than double this stack by the end of the year.

Any guesses as to how they all relate to one another? Or which has been my favorite thus far? What have you read so far this year?

First Short Story Collection: Cover Art Reveal!

Over a year ago, I secured the services of Heather Brewer, a talented graphic designer I’m lucky to call a colleague and friend, to design a book cover for me. At the time, I thought it would be a novel. At some point I realized that what I really wanted her to design was the cover for my collected short stories.

If you’ve been reading this blog for a year or more, you probably know that in 2013 I challenged myself to write one short story each month. During that year, I made each story available for Kindle users. Now I’m gathering those stories together, adding more material, and preparing to publish the collection as both a printed book and an ebook.

And this, I’m ecstatic to say, is the cover…

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When I saw it, I literally said in a loud and astonished voice (to no one in particular), “Oh my GOSH!” 

It’s breathtaking. And it’s more than just a pretty picture. Not only is it eye-catching, it evokes the kind of emotion that I hope the stories evoke in the reader–a little mystery, a little ache in the soul, an appreciation of beauty alongside an acknowledgement of the broken things. And, importantly, it’s non-gendered. In this collection, there are just as many male protagonists as female, and the themes are more universal than gender-specific, so having a cover that would appeal to both men and women was important to me. What do you think? Have we succeeded?

I’m currently editing the collection and getting the interior ready to go. I don’t have a firm release date just yet, but my hope is that it will hit the “shelves” by late summer or early fall. I’ll keep you posted!

While the Getting Is Good…

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At the end of the month, I will be removing my short stories from Amazon as I prepare a collection. The collection will feature the twelve stories I wrote in 2013, including the award-winning “This Elegant Ruin,” along with 13 brand new vignettes, one between each of the stories, plus two to bookend the collection, that will connect to make sort of a “thirteenth tale,” if you will. I’m hoping that collection will be available in both ebook and print by the end of the summer. So if you want to read any of the stories as an inexpensive single on Kindle, you have ten more days to buy before that option disappears forever!

Find information about the short stories here and click through to buy for Kindle.

 

I am so, SO very proud…

So ecstatic to announce that my husband’s thriller is available for pre-order!

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It’s a fast-paced, suspenseful read that had me guessing the whole time and utterly flummoxed when all was finally revealed. If you love suspense, especially with supernatural elements, this is your book. It will be in stores in October.

The Kind of Writing That Fills Most of My Days

Now that my writing vacation is over, it’s back to the real world for a while. And what is that, you may ask? Why, copywriting. Yes, like a number of beginning novelists, my 9 to 5 involves practical writing, real world writing–marketing writing. And recently one of the authors for whom I’ve written back cover copy mentioned me on her blog.

Amanda Cabot, a lovely author and just all-around sweet person to work with, breaks down the creation of the cover for her latest book and I knew you writers out there would be interested in it, so click here and please enjoy!

What Are “Acceptable” Sins for the Protagonists of Christian Novels?

During the past decade I have read hundreds of Christian novels. I wouldn’t generally seek Christian novels out above “secular” novels (I’m more of a classics girl myself), but I read far more of them than anything else in my life because it’s part of my job. Over the years, I’ve read some with really fantastic writing, some with really intriguing plots, some that got me a little choked up, some that made me laugh out loud. There’s a lot of great writing that comes out of Christian publishers. And on top of that, much of it is truly edifying–meaning you come away from the experience not just having been entertained but having been educated and encouraged.

Now, in order to write a good, believable, engaging story a writer needs to have characters with flaws, problems, issues, whatever you want to call them, that he or she struggles with and, as is generally the case in Christian fiction, overcomes. You have to have conflict, and Christian novels have plenty.

From what I can tell, of the three main conflicts (man vs. man, man vs. nature, man vs. himself), anymore you normally only run into man vs. man and man vs. himself, often in the same work. Most of the time, for whatever reason, the man vs. nature conflict is left by the wayside or plays a minor role.

For Christian fiction, man vs. man is pretty easy to formulate. Christians believe in good and evil and generally have a fairly black and white view of what is sinful and what is not (and before anyone accuses me of painting with too broad a brush, remember that I count myself among this group). More and more today we have Christian novels that are willing to touch on and examine those gray areas that are difficult to parse out, but when it comes to man vs. man, there is a bad guy who really is a bad guy far more often than a bad guy who is just a victim of his circumstances or misunderstood (the convenient way to reject traditional morality that so popular in storytelling today).

When it comes to man vs. himself (or woman vs. herself) things get trickier. I see a lot of man vs. his sinful past or man vs. his mistrust of women because he’s been burned before. I see a lot of woman vs. her fear of what society will think of her or woman vs. her fear of abandonment or woman vs. her fear of not living her dreams or woman vs. her fear of becoming a spinster. (Are you sensing a pattern here for female protagonists?) What I see less often is man vs. his sinful nature or woman vs. her sinful nature. It’s out there, and some of the bestselling Christian novelists are those who tackle those difficult subjects, but it’s not the norm.

I can’t help but think, though…isn’t that the main conflict of all of our lives? If we all struggle against our flesh, why don’t we see it more plainly and more often in Christian fiction? Why are certain sins so much easier to read about than the sins we are tempted to commit or have committed (or are currently committing)? Why is it so much more common in a Christian novel to read about serial killers and stalkers and grisly crime scenes (which, let’s face it, most of us don’t struggle with on a daily basis) than, say, adultery? Which sins are okay for a Christian author to explore and expose in his or her writing?

Now, I will say that many Christian novels explore sexual sin, but most that I have read (and I certainly haven’t read everything out there) do it from a distance. Either the protagonist struggles with lusting after someone they’re not married to (and so the solution is to get them together by the end of the book so they can explore their desires for one another within the bounds of Christian marriage) or the only sexual sins in the book are those that belong to the antagonist–a pushy suitor who receives his punishment by the last chapter or a rapist who is finally caught or killed. We sometimes read about protagonists who were sexually abused in the past and finally find peace for themselves and forgiveness for the ones who abused them. But that’s not their sin they are struggling with–just their misunderstandings and misinterpretations about their worth and their own culpability.

I’m not saying that these are not things worth exploring in Christian fiction. They are. What I am saying is that we should be willing to examine every kind of sin and show the way to redemption and wholeness. Being human and having hearts that are desperately wicked, we all need to come to terms with the fact that we are all capable of sexual sin, from the more obvious ones like adultery to the subtly sinister ones like emotional affairs or lusting after someone in your heart. Yes, some people will have been forced by circumstance into sinful behavior (like the victims of sex trafficking). But sometimes, people are faced with a choice–and they choose sin.

I have read a novel–a well-written and well-researched novel by an author I respect–where the principle character was the Samaritan woman who meets Jesus at the well. (Unfamiliar with the story? Find it in John 4.) Now, the Bible tells us that this woman had five husbands and the man she was living with was not her husband. And in the fictionalized account I read, I was curious to see how the author would deal with this. I was amazed–flabbergasted, really–when I got to the end of the book and not one of those relationships was the result of the woman choosing to live in sin. She was only and entirely a victim of her circumstances.

Really? Why? Why couldn’t the author allow that woman to make some bad choices?

How many Christian novels have you read in which the protagonist is struggling with sexual sin in her own life? You might find a few that deal with men and pornography, but what about women? What about a female main character who is involved in an affair?

If statistics tell us that those who call themselves Christians live no differently from those who claim no religious affiliation (spend a day combing the Barna Group website if you don’t believe me), then can’t we assume that a majority of Christian marriages are touched by infidelity? (Some statistics show that as high as 60% of marriages will be affected by infidelity.) If we publish fiction that helps readers find release and forgiveness for the shame that comes with being a victim of sexual abuse (which, we can all agree, a victim should not be made to feel), can we not also publish fiction that exposes the slippery slope toward adultery and shows the way to forgiveness and restoration? If we never show that situation, do readers of Christian fiction get the subliminal message that if they mess up they shouldn’t talk about it? Shouldn’t seek forgiveness?

Recently I gave my friends on Facebook, many of whom are voracious readers of Christian fiction this challenge:

Okay, readers of Christian fiction: give me your best example of Christian novels in which the PROTAGONIST is currently struggling with sexual sin beyond temptation (i.e., he/she is having an affair, sex before marriage, etc.). The protagonist does not have to be a Christian, but the novel should be geared toward the Christian reader.

I did get back a good number of responses. Some we had to throw out because they were biblical fiction or retellings of biblical fiction (and thus the characters were so far away in time and space that we can’t as easily appropriate their struggles as our own–they are “other people”). Some we had to throw out because the protagonist was a prostitute (also “other people”). Some we had to throw out because it turns out the protagonist was the victim of rape or sexual abuse (see above for why this doesn’t count). Some we had to throw out because the protagonist was not currently struggling through the sin (it was the backstory rather than the action), though she may have been struggling with the consequences of that sin. Some I question because the protagonists are Amish (also sort of “other people”).

In the end, I’m not sure if I have specific titles to share because I haven’t read them and can’t say for certain if they truly fit the bill, but Francine Rivers was mentioned the most. And I do recall some YA fiction from Melody Carlson that fits. (I guess it’s okay to warn teen girls of the consequences of sexual sin, but we just assume most adults have got it all together?) Karen Kingsbury, Patti Hill, Lisa T. Bergren, and Susan May Warren made the list. It seems there might be some others out there.

But when you compare a handful of books from a handful of authors to the entire body of Christian fiction at large and you’re left with relatively little. And so I’m left with some questions.

Is there a market for Christian fiction that allows that even the “good guys” fall into sin and–and this is the most important piece of this–that there is still forgiveness for those people?

Is this an under-served market with room for growth?

Do we relegate all stories that deal frankly with this issue to the general market, which rarely points the way to true redemption and freedom in favor of a false promise of freedom (i.e., do whatever makes you happy and doesn’t hurt others)?

Or are people just not willing to sympathize with a protagonist who fails in this way? Can we not put ourselves in her shoes because we’re “above” that type of sin? (Actually, I think this gets really close to the issue.)

I’d love for others to weigh in on this. If you read Christian fiction, do you know of stories that fit the bill here? Would you be turned off by such a story? Why? If you write Christian fiction, what is your experience with exploring this subject in your writing? Is what I’m saying on target or have I missed the boat? If you work for a Christian publisher or are a buyer for a bookstore, what are your thoughts on this?

I’m not making a pronouncement here. I’m attempting to start a conversation…

Helpful Books on Writing and Writers

I’m putting together a list of helpful, funny, and inspirational writing books as part of a workshop handout and I thought it might be helpful to the blogosphere at large to list and link to them here. You may want to bookmark this page refer back to it when you’re running dry.

I’ve grouped them very generally, because there is inspiration within books on the craft, and there is certainly instruction and advice to be had from the more narrative ones, so I encourage you to check them all out at some point. And if I’ve missed your favorite, add it to the comments.

BOOKS TO MAKE YOU A BETTER WRITER

The First Five Pages by Noah Lukeman

The Plot Thickens by Noah Lukeman

The Art of Fiction by John Gardner

On Writing by Stephen King

Eats, Shoots & Leaves by Lynne Truss

Spunk & Bite by Arthur Plotnik

77 Reasons Why Your Book Was Rejected by Mike Nappa

How Not to Write a Novel by Howard Mittelmark and Sandra Newman


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BOOKS OF WRITING PROMPTS AND EXERCISES

The Pocket Muse by Monica Wood

The Pocket Muse 2 by Monica Wood

Writing without the Muse by Beth Joselow

Write: 10 Days to Overcoming Writer’s Block. Period. by Karen E. Peterson


BOOKS TO INSPIRE YOU & REMIND YOU WHY YOU WRITE

If You Want to Write by Brenda Ueland

Writers on Writing: Collected Essays from the New York Times

Writers on Writing, vol. 2: More Collected Essays from the New York Times

The Writing Life by Annie Dillard

Bird by Bird by Anne Lamott

 

So did I miss any big ones? Please share them with us!

On Being True to Your Muse

Here’s what I don’t want to write: vampire stories, tales of the coming zombie apocalypse, stories about dystopian societies, YA fiction about wizards and witches, bodice rippers, cozy mysteries, romantic suspense, historical romance, romances in general, crime stories, murder mysteries, courtroom dramas, sadomasochistic fanfic, or almost anything else that seems to be commercially viable today.

Here’s what I do want to write: thoughtful, slow-moving, character-driven literary fiction that subtly asks the reader to examine herself, ask the hard questions, and think deeply about the world she lives in.

Here’s the problem: does anyone publish what I want to write? Hmmm.

Publishing is a business and businesses are all about making money (as they should be). I’m not making any judgments against publishers; I work for one (and so them making money = me getting a paycheck). But as I read about what deals are in the works at the big five (seriously, more publishing contracts for Twilight fan fiction?) I am slowly coming to the realization that if I don’t want to write what most traditional publishers want to publish, I must come to grips with the fact that my writing will perhaps not find a home at a big traditional publisher, even if there is an audience for it out there. After all, I am not so self-centered as to think that I am the only one in the world who wants to read something that is subtle, thoughtful, and literary rather than something that is sophomoric, simplistic, and pandering. (Oh, crap. Did I say that out loud?)

If this is the case, folks, then why write? Why spend the time and creative energy on something that will not bring enormous profit and sudden fame? Here’s why: because good writing is worth doing for its own sake. I know, I know, that sounds like a mother soothing her child after he is passed over for the lead in the school play (“Sweetie, you did your best and that’s all that matters.”) but stick with me here.

It feels good to be praised for our work. When we are young, praise is available from parents and teachers. We are rewarded for our diligence and creativity with good grades, a spot on the refrigerator or bulletin board, a merit scholarship, special cords to wear on graduation day. As adults, we are rewarded with a few pats on the back at work, perhaps, and hopefully a pay raise or a promotion. And for creative artists of all kinds, who are not getting a grade or a paycheck for our work, what gives that sense that others care, that others value what we create? Why, what better measure of our worth than the fact that people will pay for it? After all, if someone doesn’t want to buy what I make, what good is it?

Some food for thought: Vincent Van Gogh produced more than 2,000 paintings and sketches. During his lifetime, he sold just one painting. One. It was his Red Vineyard at Arles, which I’d wager most of us have never seen because it is not one of his more iconic works. Today, along with Picasso, Van Gogh paintings garner the highest prices at auctions, with several recently going for more than $100 million each.

The fact that he was commercially unsuccessful in life did not mean he was untalented. It doesn’t mean he didn’t create beautiful works that would one day be appreciated. And even if his work had never become posthumously popular, those who ended up with his paintings in their homes would most certainly have displayed them because they thought them beautiful and meaningful. His worth is not measured by his slim bank account in life–it is measured by his genius, his enduring expressions of beauty.

The lesson should not be lost on writers of less commercially viable genres. Commercial success would be lovely (or really, some aspects of it would be lovely though I can think of several I’m glad to live without) but it does not determine someone’s talent or worth. Just as blockbuster movies are often (though certainly not always) shallow, pointless, and artless escapades dressed up with copious special effects, some New York Times bestselling books are not art. Some are. But many simply are not.

If you, like me, are a writer who finds herself or himself creating in a non-commercial genre for a more niche audience, don’t give in to the temptation to compromise your vision for commercial success. Yes, you could manufacture some of that stuff blindfolded. But don’t. There’s enough of it out there already. Create your art for its own sake. If you want it to be available to others and are having trouble getting the entrenched world of traditional publishing to take a chance on you, you can always self-publish in ebook and/or print-on-demand format (after you know it is absolutely your best work and you’ve had several conscientious and intelligent readers and an editor look it over to suggest revisions and make corrections). Art is meant to be shared, after all. But don’t silence your muse. Because if you don’t write what is in your heart, who will?