A Self Portrait Photo Reference

When thinking rather halfheartedly about the new year I mentioned in this space that I might try to paint a self portrait in 2016. To that end I thought I ought to take a reference photo to guide me (looking in the mirror and moving all around doesn’t seem wise for a beginner like me — come to think of it, the whole thing may be a disaster). I think I have one I like…

Self Portrait Reference Photo

I have only now to decide whether I might like to make this even more interesting by trying out oil paints for the first time rather than watercolors. The dark background would certainly be easier in oils, though the skin would be easier in watercolor. Maybe I’ll start with a watercolor study and then do one in oils.

But don’t expect too much of me. It’s Ash Wednesday and today of all days I am more keenly aware of my limitations and all the ways I fall short. I’ve had some success in the distant past drawing human beings, but never painting them. I haven’t decided yet whether to show you the results of my efforts if they turn out catastrophically bad…

“Wasting” Time to Awaken Your Inner Creative Spark

While I spent most of my time in Albuquerque writing, one workshop I did attend was Kimberly Brock’s Tinderbox Workshop. Before we all packed for the trip, our Retreat Planner & Organizer Extraordinaire Orly Konig-Lopez told us what we should bring: a journal or notebook, magazines and glue, stickers and interesting paper, markers and pencils. It was clear that this workshop would have less to do with writing than most offered at writers conferences or retreats. As I had recently purged my house of unwanted magazines (see earlier posts on decluttering in anticipation of listing our house for sale in the future) I decided to bring my watercolors and some pastels.

I won’t go into details about the workshop content (except to say that if you have a chance to be in a Kimberly Brock workshop you should take it) but I will say that she had to assure participants that they were not “wasting time” by not writing and that there was not a “right way” to do the exercises. I’ll share a page from the journal I was working on as she spoke about creativity:

Underneath that collage is a pretty simple painting of a face with colors coming out from all angles — my interpretation of what Kimberly was talking about. When she said we were going to start covering it up with collage, I said to myself, “Um, no. I will not be doing that. Thank you very much.” I was happy with what I’d painted and drawn and I wasn’t about to obscure it with things pulled from magazines.

But then I did. And it was fun. It’s been a while since I did any sort of collage and it was pretty fun finding images and words that inspired me and went along with some of the concepts Kimberly was talking about.

When I got home, I didn’t want to put my paints away. The retreat was held at Hotel Albuquerque at Old Town, a beautiful space that really got under my skin in a good way. So I decided to paint one of the pretty outdoor spaces: the pavilion. Friday night we all ate BBQ under here and Saturday there was a gorgeous wedding in this space. But it was most beautiful to me when it was empty of people and dappled with sun and shadows.

It’s funny how creativity works. I went to New Mexico to write, to learn, and to meet other writers. Bringing paints was definitely not part of my original plan. Neither was collage. But I came home with a heart and mind full of the place and a bit of dormant creative spirit unleashed. So now I not only find myself painting, I’m also plotting a novel set in our hotel, with an ensemble cast drawn from some of the people I saw (and many more I am imagining). Opening the door to one part of your mind often lets in enough wind to blow open other doors.

When was the last time you let yourself just fool around with art supplies for a few hours? When was the last time you allowed yourself time to just have fun doing something kind of mindless, like you did when you were a kid? My guess is that it has probably been too long.

So when are you going to start?

Portrait by an Artist of a Young Man

This is my son, done in acrylics by a wonderful artist, friend, and consummate storyteller named Tiffany McGillie.

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You can view and purchase her work at her Etsy store. I commissioned Tiffany to paint this as a Father’s Day gift for my dear husband, Zachary. This is the first painting I’ve commissioned and the first I’ve purchased directly from an artist. It will not be the last.