Last month I shared a photo from an excursion to Fenner Nature Center and mentioned I’d like to paint it. Yesterday afternoon, I did.
I did it partly as an avoidance tactic (the couple-day warm up has made me think I really ought to clean out the garage) and partly because I’m stuck on manuscript revisions (until I can get a call with a criminal attorney who is out of town) and partly because this is a big reason I quit a bunch of stuff (unscheduled time for creative endeavors).
This time around I didn’t take pictures between each step because I was mostly working wet-on-wet and you have to work fast without letting things dry between washes. But I do have a side-by-side comparison for you.
I wasn’t trying to reproduce the photo, just to use it as a reference, especially for the low horizon and big sky you get with the portrait orientation. Taking all photos in a landscape orientation (even when you’re taking photos of people, traditionally called portraits) is an easy trap to fall into when you have a traditional camera in your hands. It’s how they’re oriented — buttons, hand holds, etc. — and it’s especially easy to only take landscape photos of…well, landscape. But turning the camera in your hands can give you a far different perspective on your subject.
Looking at the side-by-side, I’m thinking I could have tried to keep the light bits of the sky a little brighter yet. I could re-wet the sky and lay in some darker clouds to make the contrast greater, but, as I said before, there’s always the risk of overdoing it.
This morning seemed the perfect time to start my self portrait. Dawn was bright and the air outside a crisp 4 degrees Fahrenheit, so why not stay inside and fiddle with paints? Things turned out far better than I had anticipated. For those of you unfamiliar with watercolor painting, it’s done in stages, starting with the lightest and most translucent colors. Each wash gets gradually darker, and if you go too dark too fast, there’s only so much “erasing” you can do, because painting over something lighter doesn’t work — the darker color always shows through. So watercolors are fairly unforgiving. But I’ve found through the years of dabbling in it that I’m so drawn to watercolors done well, so I keep on trying to get better.
I thought it might interest you to see how one gets from a drawing through the various washes to the final product, so…
And because it’s so fun to see a reference photo and a painting side by side…
You can definitely tell I am not a professional! But it’s a fun hobby to pull out now and then. Now the perennial problem…what do I do with it?
This is my son, done in acrylics by a wonderful artist, friend, and consummate storyteller named Tiffany McGillie.
You can view and purchase her work at her Etsy store. I commissioned Tiffany to paint this as a Father’s Day gift for my dear husband, Zachary. This is the first painting I’ve commissioned and the first I’ve purchased directly from an artist. It will not be the last.