#Debut19Chat starts today!

After I sold my debut novel and got a 2019 pub date, I joined a group of other writers on Facebook whose debut novels are coming out in 2019. The writers in this group are all writers of adult or new adult fiction. They are men and women of various backgrounds writing in various genres — contemporary, historical, sci-fi, fantasy, paranormal, romance, and more. We’ve been holding each other up, comparing notes, reassuring each other, and answering one another’s questions for months as we’ve gone through the process of getting edits, seeing galleys, seeing cover designs, etc. It’s been an awesome resource and a great source of encouragement to all of us.

Starting today, you get to meet them!

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If you love to read and you want to be up on the up-and-comers, head over to Twitter and follow the #DebutAuthors19 and #Debut19Chat hashtags. Starting today and every day throughout the month of August, we’ll be introducing ourselves, talking about our books and our publishing journeys, and giving you an inside look at what’s coming to bookstores in 2019.

Hopefully, you’ll find several great new books to add to your Goodreads shelf and/or pre-order.

I’ve already added my post for day 1. Go see who else is tweeting!

 

Hear Me Bloviate on Publishing!

You may or may not know that my husband, also a writer, is a podcast fiend, both as a listener and as a podcaster himself. He is currently hosting three podcasts (The Gut Check Podcast, Clinch: A Podcast of Fiction and Not-Fiction, and These Go to Eleven) and his sermons are available online as well.

I’ve appeared here and there on the Gut Check Podcast, mostly as a bystander or an interrupter-of-proceedings, though occasionally I am asked direct questions or serve as a reader for Gut Check Literacy Month (which has lasted, oh, I’d say maybe two years). And I bet you can hear my laugh in some of those sermon recordings. But this week Zach actually interviewed me for the not-fiction portion of Clinch.

If you’re curious about what I do in publishing, how annoying I think I will be as an author to the people on my publishing team, or you just want to listen to us talk about Zach getting lost in the woods outside of Owosso, actor Kevin Sorbo, and whether or not we should have closed the drapes to keep our dog from barking during the recording, you should definitely give it a listen.

Also, you should go back to episode one and binge it, both for the fiction portion, where Zach reads his current work in serial fashion, and the not-fiction portion, which gives you an inside look into the highs and lows of publishing, both traditionally and independently, from Zach’s own rollercoaster experience and interviews with other authors. It’s one of the most honest assessments you’ll get of what it’s like to be a writer trying to make a mark in the book world today.

Everyone Is Reading Your Diary: Why Facebook and Twitter Shouldn’t Be Your Journal

Remember journaling? It’s what a number of people used to do to record and work through their random, inane, deep, inflammatory, or otherwise likely-inappropriate-for-public-consumption thoughts before there was Facebook and Twitter and blogging. A private place to work out what you think about stuff and record what you ate for dinner. A place where it was safe to say dumb things because who would read it? A place where it was safe to say brilliant things that you would later recognize as dumb with a little more life experience under your belt because, again, who would read it? A place where you didn’t have to have it all figured out and prepare a defense of your views, your lifestyle, your existence.

Remember how you used to fly into a rage if your sister found your diary and read it? Now everyone’s reading your diary.

I’ve been thinking about this a lot lately as I read articles about why Twitter is dying and I realize that my first couple years on Facebook, when almost no one outside of Academia was on it, were filled with congenial exchanges with people I might otherwise not have a lot of chances to talk with because we were all so busy with grad school. Now Facebook is just all those annoying, cutesy, unsubstantiated forwards that used to junk up your email inbox. Now instead of deleting them without opening them, you see them — ALL of them — every day.

I have on many occasions been a click away from deleting my presence on Facebook and going back to living a life that doesn’t invite others’ opinions and unsolicited advice at every turn. But then, my parents get to see pictures of their grandson, so I should keep it up. Or now, I need to continue to build my online presence because I need effective ways to get the word out about my books once I start publishing novels. Or really, at this point there are a number of people I like to stay in touch with (many of my fellow writers, most of whom I know because of the internet) with whom I just wouldn’t stay in touch if we weren’t all on Facebook. So, I remain.

Then last week I had a realization that I think will improve my life greatly: I don’t have to use Facebook or Twitter as my diary.

I’ve never been great at keeping a consistent journal or diary, and all of my old attempts have pretty much been destroyed. I don’t want to remember how ridiculous I was in junior high. But now, as an adult who needs a place — a private place — to process life and record my hopes and dreams and fears, I’m turning back to journaling.

Over the past few years I have read through Virginia Woolf’s abridged diaries. I enjoy the staccato and often sarcastic way she describes her many visitors, both friends and people she merely tolerates. I’ve appreciated seeing her trials and triumphs in her writing, showing that the ups and downs I and so many others feel about their work are common to all writers. I’ve been enthralled by her descriptions of her surroundings. And I’ve appreciated that she doesn’t feel the need to write full sentences.

Thing is, if she and her friends and acquaintances had been on Facebook, she quickly would have had no friends and spent most of her time, thought life, and energies on explaining herself and apologizing when people misunderstood. She probably would have committed suicide much earlier in her life.

Instead, she put her insights and questions and suppositions into her fiction and her essays after safely trying them out on paper that no one would see until after she was dead. She sifted through her thoughts and theories privately before launching them into the world. She tested things out with close friends who wouldn’t assume the worst of her if she said something they didn’t agree with.

She didn’t go out into the streets of London and share her ideas with perfect strangers or even random acquaintances. She worked through things in her own mind, on the pages of her diaries, and with a small inner circle of close friends. And when she argued about God with T. S. Eliot around the dinner table, passersby did not poke their heads through the windows to comment. When she discussed politics with  Lytton Strachey, some lady she had as a substitute teacher in fourth grade did not burst through the front door and spout off some bizarre non sequitur to kill the conversation. When she made an off-hand comment about her truculent maid, she wasn’t then barraged with unsolicited and conflicting advice on how she should deal with the situation.

She simply wrote it out, pondered, moved on.

So with Virginia as my guide, I’m turning to the private page (an actual page made of paper that others do not see) and putting my thoughts there. I’ll still share things on Facebook and Twitter, but when I’m trying to process a sticky political point or when I want to work out my opinion on a matter of morality or when I just want to complain about something that hasn’t gone my way, I’ll do it in my journal. And someday, after I’m dead, after it doesn’t matter anymore, someone may read it.

But I won’t have to deal with the fallout.