Last month I shared a photo from an excursion to Fenner Nature Center and mentioned I’d like to paint it. Yesterday afternoon, I did.
I did it partly as an avoidance tactic (the couple-day warm up has made me think I really ought to clean out the garage) and partly because I’m stuck on manuscript revisions (until I can get a call with a criminal attorney who is out of town) and partly because this is a big reason I quit a bunch of stuff (unscheduled time for creative endeavors).
This time around I didn’t take pictures between each step because I was mostly working wet-on-wet and you have to work fast without letting things dry between washes. But I do have a side-by-side comparison for you.
I wasn’t trying to reproduce the photo, just to use it as a reference, especially for the low horizon and big sky you get with the portrait orientation. Taking all photos in a landscape orientation (even when you’re taking photos of people, traditionally called portraits) is an easy trap to fall into when you have a traditional camera in your hands. It’s how they’re oriented — buttons, hand holds, etc. — and it’s especially easy to only take landscape photos of…well, landscape. But turning the camera in your hands can give you a far different perspective on your subject.
Looking at the side-by-side, I’m thinking I could have tried to keep the light bits of the sky a little brighter yet. I could re-wet the sky and lay in some darker clouds to make the contrast greater, but, as I said before, there’s always the risk of overdoing it.
I think I’ll let well enough alone.